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Stalag 17 (1953)

When two escaping American World War II prisoners are killed, the German P.O.W. camp barracks black marketeer, J.J. Sefton, is suspected of being an informer.

Director:

Billy Wilder

Writers:

Billy Wilder (written for the screen by), Edwin Blum (written for the screen by) | 2 more credits »
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Won 1 Oscar. Another 1 win & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
William Holden ... Sgt. J.J. Sefton
Don Taylor ... Lt. James Dunbar
Otto Preminger ... Oberst von Scherbach
Robert Strauss ... Sgt. Stanislaus 'Animal' Kuzawa
Harvey Lembeck ... Sgt. Harry Shapiro
Richard Erdman ... Sgt. 'Hoffy' Hoffman
Peter Graves ... Sgt. Frank Price
Neville Brand ... Duke
Sig Ruman ... Sgt. Johann Sebastian Schulz
Michael Moore Michael Moore ... Sgt. Manfredi
Peter Baldwin ... Sgt. Johnson
Robinson Stone Robinson Stone ... Joey
Robert Shawley ... Sgt. 'Blondie' Peterson
William Pierson ... Marko the Mailman
Gil Stratton ... Sgt. Clarence Harvey 'Cookie' Cook (as Gil Stratton Jr.)
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Storyline

It's a dreary Christmas 1944 for the American POWs in Stalag 17. For the men in Barracks 4, all sergeants, have to deal with a grave problem - there seems to be a security leak. The Germans always seem to be forewarned about escapes and in the most recent attempt the two men, Manfredi and Johnson, walked straight into a trap and were killed. For some in Barracks 4, especially the loud-mouthed Duke, the leaker is obvious: J.J. Sefton, a wheeler-dealer who doesn't hesitate to trade with the guards and who has acquired goods and privileges that no other prisoner seems to have. Sefton denies giving the Germans any information and makes it quite clear that he has no intention of ever trying to escape. He plans to ride out the war in what little comfort he can arrange, but it doesn't extend to spying for the Germans. As tensions mount and a mob mentality takes root, it becomes obvious that Sefton will have to find the real snitch if he is to have any peace and avoid the beatings Duke and ... Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

Hilarious, heart-tugging! You'll laugh...you'll cry...you'll cheer William Holden in his great Academy Award role! (from reissue print ad)

Genres:

Comedy | Drama | War

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | German | Russian

Release Date:

10 August 1953 (Brazil) See more »

Also Known As:

Stalag 17 See more »

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Box Office

Budget:

$1,661,530 (estimated)

Cumulative Worldwide Gross:

$10,000,000, 31 January 1955
See more on IMDbPro »

Company Credits

Production Co:

Paramount Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

William Holden's acceptance speech for Best Actor was the shortest in Academy history up until that time. He said only two words: "Thank You." Holden hadn't meant to be so brief, but the televised TV broadcast of the Academy Awards ceremony was running long, and was about to be cut off the air. Holden later took out an ad in the Hollywood trade publications thanking the people he had intended to thank in his speech. The briefness of Holden's speech was later surpassed by Alfred Hitchcock (who accepted his Irving Thalberg Award in 1967 with a simple "Thanks.") and by John Mills, who after playing a mute character in Ryan's Daughter (1970), accepted his 1971 Best Supporting Actor award with a simple smile and a thankful nod of the head. See more »

Goofs

Stanislas "Animal" Kasava is falling on his butt into the mud, but his white underwear isn't getting dirty. Two minutes later, running to see the Russians girls, he falls again and then he's muddy all over. See more »

Quotes

Shapiro: I'm tellin' ya, Animal, these Nazis ain't kosher.
Animal: Ya can say that again!
Shapiro: I'm tellin' ya, Animal, these Nazis ain't kosher!
Animal: I said ya can say it again, that doesn't mean ya hafta repeat it!
See more »

Connections

Featured in Precious Images (1986) See more »

Soundtracks

Jingle Bells
(1857) (uncredited)
Music by James Pierpont
Hummed by a prisoner
See more »

Frequently Asked Questions

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User Reviews

 
In Defense of "Stalag 17"
24 July 2001 | by bleakeyeSee all my reviews

In defense of this great film "Stalag 17", I would like to say a few things. First of all, William Holden's performance in this film gives this film a very big lead against many other films like it. Holden is a very good actor given a very good role here as Sefton, a soldier that uniquely accepts his situation. The other supporting, and even prominent roles are good but seems "intentionally" underdeveloped for the benefit of not complicating viewers with unnecessary information. The story, consisting of a "whodunit" plot, wartime ordeals, and amusing dialogue between the characters is superb for it's time. All in all, watching "Stalag 17" is at least a fine way to spend your time.

I've read many reviews that say that they were disappointed with this film. Some were annoyed because it wasn't as realistically gritty and tense like "Saving Private Ryan". Well, that's the effect of the Hays Offices (censorship officials of American produced movies during the past). I have to say that although it may have lacked the grittiness of Spielberg's film, it still surpasses "Saving Private Ryan" for it's honest approach to it's characters such as the POW that responds to his wife's letter ("I believe it.") with a certain kind of feeling that can truly be described as honest and the German "Wake up caller" Scherbach's constant joking around with POWs while remaining true to his kommandant's wishes. The 'Animal' and Shapiro characters were obviously created for comic relief but it should only be taken as that, comic relief (Hell, everyone's a comedian and at least they tried). Most anybody that was disappointed with this film were probably disappointed for it's strange association with the TV show "Hogan's Heroes". I must say that I don't care much for that certain show but I do like this film.

I really don't think that any film should ever be compared with another film or a TV show (unless it's a spinoff, then they're just asking for it) no matter how related they are. A movie is a movie on it's own and never with the help of another, no matter the similarities. This is a classic film, worthy of it's praise yet unworthy of it's negative critique. Nobody should let personal opinions be considered flaws. Just watch it, when you have the chance, with an open mind.


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