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Slaves of Babylon (1953)

Approved | | Adventure, Drama, History | October 1953 (USA)
In ancient times, a Jew is instrumental in the crowning of a new Median-Persian king who, in return, conquers Babylon and frees all the Jewish slaves.

Director:

William Castle

Writer:

DeVallon Scott (story and screenplay)
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Cast

Complete credited cast:
Richard Conte ... Nahum
Linda Christian ... Princess Panthea
Maurice Schwartz ... The Prophet Daniel
Terry Kilburn ... King Cyrus (as Terrance Kilburn)
Michael Ansara ... Prince Belshazzar
Leslie Bradley ... King Nebuchadnezzar
Ruth Storey Ruth Storey ... Rachel
John Crawford ... Avil - Belshazzar's Chief Soldier
Ric Roman ... Daniel's Aide
Robert Griffin ... King Astyages
Beatrice Maude Beatrice Maude ... Cyrus' Foster Mother
Wheaton Chambers Wheaton Chambers ... Cyrus' Foster Father
Paul Purcell Paul Purcell ... Overseer
Julie Newmar ... Dancer-Assassin (as Julie Newmeyer)
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Storyline

The Jews are taken from Jerusalem and made slaves by King Nebuchadnezzar. In the meantime Cyrus, king of the Persians, who has been living as a shepherd, is proclaimed king and defeats Nebuchadnezzar. Written by Salvatore Santangelo <pappagone2@libero.it>

Plot Summary | Add Synopsis

Taglines:

A Panaroma of Passions and Violence! (original three sheet poster) See more »


Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

October 1953 (USA) See more »

Also Known As:

Babylonin orjat See more »

Filming Locations:

Santa Clarita, California, USA See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

At least three of the actors appeared in other bible movies as well. Maurice Swartz played an advisor to king Herod Antipas in Salome, the same year in 1953. Richard Conte went on to play Barabbas in The Greatest Story Ever Told in 1965. Michael Ansara had a bit part as Judas Iscariot in The Robe also in 1953, and as a taskmaster in The Ten Commandments in 1956. See more »

Goofs

The Star of Remphan, which Daniel wears as a symbol of the Israelites is in fact a Pagan symbol that represents the god Saturn. See more »

Connections

Referenced in Spine Tingler! The William Castle Story (2007) See more »

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User Reviews

 
SLAVES OF BABYLON (William Castle, 1953) **1/2
2 May 2011 | by Bunuel1976See all my reviews

For a low-budget Biblical epic from the Sam Katzman stable, this is decidedly above-average and definitely superior to the turgid (and recently-viewed) SINS OF JEZEBEL from the same year. It deals with only a partially-familiar episode in the Old Testament (that of Daniel and the Lions) – working it into a plot wherein the Jews, somewhat surprisingly, intend to overthrow the Pagan realm of Babylon!

Typically, it features an incongruous lead in Richard Conte (who is perhaps too good an actor to be entirely defeated by the genre trappings, though his hairstyle is unforgivably unflattering!) who is chosen by the placid Daniel figure to escape from captivity and go seek and indoctrinate a boy shepherd (actually a royal off-spring) whom Divine inspiration has decreed as the Savior of His People. Incidentally, Daniel is favored by King Nebuchadnezzar but his son (played by Michael Ansara) is jealous of his influence over Dad and decides to strike at him where it hurts the most i.e. persuading the King to order the (previously-tolerated) worshipping of gods other than those of Babylon as forbidden. When the Holy Man keeps at his daily piety (easily detected by the fuming Ansara), he is thrown into prison and left at the mercy of a bunch of lions that are unleashed upon him; arriving the next day and jokingly querying whether there will be enough of him to be identified, the King's son is shocked to find Daniel is still alive (the latter simply walks out of the cell, leaving Ansara to pick up his jaw from the floor)! The young man is adamant, however, and he throws three other Jews who have dared defy the restricted practice of religion, into a furnace this time around…and, once again, he has to witness their unscathed – and nonchalant – exit from the flames (though the special-effects in this scene leave a lot to be desired)!

On the heroic front, however, things are not rosy either as Conte's efforts to elevate the shepherd-boy's status are largely unappreciated by the brash kid. Things come to a head when the latter entrusts the protagonist with taking a princess (lovely and well-cast Linda Christian, better-known as Mrs. Tyrone Power) he had abducted while on her way to marry newly-appointed Babylonian king Ansara to the city for himself(!) – needless to say, she prefers her rugged escort to both his immature 'leader' and the scowling ruler of her new home! Anyway, Daniel's prophecy comes true at the end – the catch being that his ultimate intention was not to gain Babylon but to liberate the Jews, and we are shown a more modest exodus to the more famous one co-ordinated by Moses out of Egypt. While the film is relatively sober for the duration, a howler is nonetheless reserved for the finale: Conte, who had in any case already been betrothed to a rather frumpy Jewish woman, exits the gates of Babylon without having deigned his intended of a word or even a look…as she has to earnestly call out to him amidst the crowds in order to be re-united with her lover and ensure the obligatory (and, under the circumstances, inevitably lame) fade-out clinch!


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