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Shane (1953)

Not Rated | | Drama, Western | 1 October 1953 (France)
A weary gunfighter attempts to settle down with a homestead family, but a smoldering settler/rancher conflict forces him to act.

Director:

George Stevens

Writers:

A.B. Guthrie Jr. (screenplay), Jack Sher (additional dialogue) | 1 more credit »
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Popularity
4,453 ( 1,574)

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Won 1 Oscar. Another 4 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Alan Ladd ... Shane
Jean Arthur ... Marian Starrett
Van Heflin ... Joe Starrett
Brandon De Wilde ... Joey Starrett
Jack Palance ... Jack Wilson (as Walter Jack Palance)
Ben Johnson ... Chris Calloway
Edgar Buchanan ... Fred Lewis
Emile Meyer ... Rufus Ryker
Elisha Cook Jr. ... Stonewall Torrey
Douglas Spencer ... Axel 'Swede' Shipstead
John Dierkes ... Morgan Ryker
Ellen Corby ... Mrs. Liz Torrey
Paul McVey ... Sam Grafton
John Miller John Miller ... Will Atkey - Bartender
Edith Evanson Edith Evanson ... Mrs. Shipstead
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Storyline

Shane rides into a conflict between cattleman Ryker and a bunch of settlers, like Joe Starrett and his family, whose land Ryker wants. When Shane beats up Ryker's man Chris, Ryker tries to buy him. Then Shane and Joe take on the whole Ryker crew. Ryker sends to Cheyenne for truly evil gunslinger Wilson. Shane must clear out all the guns from the valley. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

From the master producer-director George Stevens See more »

Genres:

Drama | Western

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

1 October 1953 (France) See more »

Also Known As:

George Stevens' Production of Shane See more »

Filming Locations:

Teton Range, Wyoming, USA See more »

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Box Office

Budget:

$3,100,000 (estimated)

Gross USA:

$20,000,000
See more on IMDbPro »

Company Credits

Production Co:

Paramount Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Mono (Western Electric Recording)| 3 Channel Stereo (Western Electric Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Final film of Jean Arthur. See more »

Goofs

When Shane starts to cut the stump, Joey is looking at him with his arms by his sides. In the following shot he has his left hand leaning on the house wall. See more »

Quotes

[first lines]
Joey: Somebody's comin', Pa!
Joe Starrett: Well, let him come.
See more »

Crazy Credits

Introducing Brandon De Wilde See more »

Alternate Versions

The film was shot in Academy Ratio (1.33:1 or 4:3), but this was done around the time widescreen filmmaking was coming around. As such, many theatres cropped the film into a widescreen ratio to take advantage of this, with many DVDs being cropped as well. The 2013 Blu-ray Disc release is in the proper Academy Ratio. See more »

Connections

Referenced in Unforgiven (1992) See more »

Soundtracks

I Ride an Old Paint (I'm A-Leavin' Cheyenne)
(uncredited)
Words and Music by Frank Goodwin, ca. 1875
Played and sung by many at a meeting
See more »

Frequently Asked Questions

See more »

User Reviews

 
Much More Than a Western
10 July 1999 | by T-Boy-3See all my reviews

"Shane" should be required viewing for anyone setting out to make a film. It tells its story visually, through subtext, and creates a realistic portrait of people; it is also emotionally and morally complex. It is never stated that Shane had been a gunfighter; we just understand this, from his appearance and from what we glean through the dialogue. Likewise, there are no overt moments of intimacy between Shane and Marion (Mrs. Starrett), but we are aware that there is a deep attraction between them. When Joe, Marian's husband, realizes it, it is not because of anything he states, just a line at the 4th of July party, when Marian (in her wedding dress) is dancing with Shane: "Looks like I'm fenced out," and what is spoken as a joke becomes serious as we watch the expression on his face. The closest he comes to actually saying anything is toward the end, when he's going to ride into town to face Ryker, and tells Marian that if anything happens to him he knows she'll be taken care of. Likewise, at the end of the film, when little Joey is calling across the plains for Shane to "come back," he yells to Shane, "Mother wants you, I know she does," and the words echo back, we see a close up of Joey, his expression changing, and we know the child realizes too that Shane does (or could) mean something more to his mother.

Stevens also didn't make the "bad guys" black-and-white villains. We understand that these men fought and tamed the land and are now being displaced by the homesteaders. What they want might not be fair, but it is not completely unreasonable either.

Most of the scenes, even the simple ones, play in montage. It looks as though Stevens shot each scene from about 15 different angles and edited them together. The effect is striking.

Far and away one of the best films ever.


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