A town Marshal, despite the disagreements of his newlywed bride and the townspeople around him, must face a gang of deadly killers alone at high noon when the gang leader, an outlaw he sent up years ago, arrives on the noon train.
Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Hara. Together with an old Indian fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water.
Shane rides into a conflict between cattleman Ryker and a bunch of settlers, like Joe Starrett and his family, whose land Ryker wants. When Shane beats up Ryker's man Chris, Ryker tries to buy him. Then Shane and Joe take on the whole Ryker crew. Ryker sends to Cheyenne for truly evil gunslinger Wilson. Shane must clear out all the guns from the valley.Written by
Ed Stephan <email@example.com>
In the funeral scene, the dog consistently refused to look into the grave. Finally, director George Stevens had the dog's trainer lie down in the bottom of the grave, and the dog played his part ably. The coffin (loaded with rocks for appropriate effect) was then lowered into the grave, but when the harmonica player began to play "Taps" spontaneously, the crew was so moved by the scene that they began shoveling dirt into the grave before remembering the dog's trainer was still there. See more »
Prior to Shane and Calloway's fight in the bar, in the side and rear shots of Shane, Shane's left arm is in a straight position with the palm of his hand flat on the bar. From the front view of Shane the arm is bent and Shane is leaning on his elbow. See more »
Simple peaceful lifestyles threatened by land grabbing ranchers and sinister gunslinger, saved by a weary reluctant gunslinger.
This western epitomises how a film should be made.
Classic scenery and outstanding performances from all. From the various cultures of the farmers bonding together through the harshness of farming life. Happy to raise families on land built and developed by their own hands. This is then threatened by the ranchers unwillingness to share the common land. Brutality and force is their tool, they try to force out the farmers (even resorting to hiring the gunslinger - Jack Wilson - Jack Palance). One farmer holds the other farmers together (Starett - Van Heflin), though even his resistance is weakening until a lone retired gunslinger rides in to save the day...
The sheer quality of characters and acting makes this film. The friendly (though not always) banter over Torrey's rebel background, the bond amongst the children, the affection shown in all families. The turning of Chris Calloway, the cold hearted nature of Ryker.
Finally the performances of the main characters. Van Heflin and Jean Arthur as the Starett's have a simple but loving relationship. Their son Joey loves his parents, but is greatly impressed by the mystery and skill of Shane (Alan Ladd).
Shane is reluctant to return to the way of the gun until Ryker hires a top gunslinger (Jack Palance). Palance is the perfect clinically precise cold hearted killer. Every aspect of his manner portrays cold efficiency (even to drinking water and mounting his horse).
There is simple humour added, for example when Shane is hit with an "Easy Chair".
Even the two dogs could act ! When Shane finally confronts Wilson the dog in the bar skulks with his tail between his legs.
The scenery and music were the icing on the cake.
This film will remain a benchmark for all western's to follow.
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