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The Wages of Fear (1953)

Le salaire de la peur (original title)
Not Rated | | Adventure, Drama, Thriller | 16 February 1955 (USA)
Trailer
2:42 | Trailer
In a decrepit South American village, four men are hired to transport an urgent nitroglycerine shipment without the equipment that would make it safe.

Writers:

Georges Arnaud (novel), Henri-Georges Clouzot (adaptation) (as H.G. Clouzot) | 1 more credit »
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Top Rated Movies #204 | Won 1 BAFTA Film Award. Another 5 wins. See more awards »

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Four unfortunate men from different parts of the globe agree to risk their lives transporting gallons of nitroglycerin across dangerous South American jungle.

Director: William Friedkin
Stars: Roy Scheider, Bruno Cremer, Francisco Rabal
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Cast

Complete credited cast:
Yves Montand ... Mario
Charles Vanel ... M. Jo
Folco Lulli ... Luigi
Peter van Eyck ... Bimba (as Peter Van Eyck)
Véra Clouzot ... Linda (as Vera Clouzot)
William Tubbs William Tubbs ... Bill O'Brien
Darío Moreno ... Hernandez (as Dario Moreno)
Jo Dest Jo Dest ... Smerloff
Antonio Centa ... Camp Chief (as Centa)
Luis De Lima Luis De Lima ... Bernardo
Grégoire Gromoff Grégoire Gromoff
Joseph Palau-Fabre Joseph Palau-Fabre
Faustini Faustini
Seguna Seguna
Darling Légitimus ... (as Miss Darling)
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Storyline

In the South American jungle supplies of nitroglycerin are needed at a remote oil field. The oil company pays four men to deliver the supplies in two trucks. A tense rivalry develops between the two sets of drivers and on the rough remote roads the slightest jolt can result in death. Written by Col Needham <col@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

BRITISH ACADEMY AWARD FOR THE BEST FILM!... (original USA/Canada posters) See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | Italy

Language:

French | English | Spanish | German | Italian | Russian

Release Date:

16 February 1955 (USA) See more »

Also Known As:

The Wages of Fear See more »

Filming Locations:

Poulx, Gard, France See more »

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Box Office

Cumulative Worldwide Gross:

$1,098
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut) | (director's cut) (2017 restoration)

Sound Mix:

Mono (Western Electric)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Yves Montand - at the time better known as a singer - was greatly intimidated by his more seasoned co-star Charles Vanel who would inevitably nail his scenes in just one or two takes. See more »

Goofs

Near the end of the film, when Jo is leaning against Mario in the cab of the truck, the oil smear on Mario's right cheek changes between shots. See more »

Quotes

Bill O'Brien: The Hell with the Union! There's plenty of tramps in town, all volunteers. I'm not worried. To get that bonus, they'll carry the entire charge on their backs.
Bradley: You mean you're gonna put those bums to work?
Bill O'Brien: Yes, Mr. Bradley, because those bums don't have any union, nor any families. And if they blow up, nobody'll come around bothering me for any contribution.
See more »

Alternate Versions

The original uncensored release in France ran 152 minutes. The so-called "director's cut" runs 148 minutes. See more »


Soundtracks

Valentine
Music by Henri Christiné
Whistled by Yves Montand and Charles Vanel
See more »

Frequently Asked Questions

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User Reviews

 
One of the greatest movies ever made
6 October 2005 | by barleekuSee all my reviews

This movie is astonishing, a gritty story filmed in an ultra-real style that relies simply on the beauty of lighting and film to achieve its stunning effects. It seems from another world, which in a way, it is. The acting is superb: Montand's Mario is full of jerky movements and intense impulses but always maintains his Gallic savoir-faire, while Charles Vanel as Jo brings, at first at least, a type of macho to the screen that modern movie-makers simply do not comprehend. The rest of the cast, especially the camp chief, Luigi, and Peter van Eyck as Bimba are incredible, as is Vera Clouzot who is incomprehensibly but believably upbeat and innocent - and totally gorgeous - in the midst of the hellhole of a town they're all stuck in. Clouzot's directing is flawless - I don't think anyone has ever squeezed more tension with just a few essential scene elements. The trucks wheeze and grunt as well as they ever have in the movies - the only comparison is Spielberg's early gem, "The Duel", but Clouzot's automotive cinematics outdo even Spielberg. The stripped down existentialism of the characters, the starkness of their shared dilemma, the grim and grimy scenery, and the cinematography itself are all of a piece. The latter is what elevates this movie to the very top rank, including some of the most dramatic and effective black and white shooting I've ever seen. Yet it never becomes mannered or gratuitous - it is orchestrated with the rise - and rise! - of tension in the film. The final scene takes on a surreal as opposed to ultra-realistic quality that has its own logic. One last word about the acting - we don't see anything like it anymore. The self-conscious mannerism of method acting (which has had its own triumphs) and the toxic awareness of everyone from the actors to the audience, the camera, directors, etc. that each actor is a celebrity and potential artiste, has ruined that conviction that actors were once larger than life people before they went on-screen, that they came to acting as an outcome of living rough, unadorned, and yet imaginative lives as opposed to shooting for fame and fortune and celebrity within an artificial corporate star-making incubator.


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