Fierce Roman commander Marcus Vinicius (Robert Taylor) becomes infatuated with beautiful Christian hostage Lygia (Deborah Kerr) and begins questioning the tyrannical leadership of the despot Emperor Nero (Sir Peter Ustinov).
Marcellus is a tribune in the time of Christ. He is in charge of the group that is assigned to crucify Jesus. Drunk, he wins Jesus' homespun robe after the crucifixion. He is tormented by nightmares and delusions after the event. Hoping to find a way to live with what he has done, and still not believing in Jesus, he returns to Palestine to try and learn what he can of the man he killed.Written by
John Vogel <firstname.lastname@example.org>
There are repeated references to galleys leaving Rome for Palestine (and vise versa) "on the next tide". The tides in the Mediterranean Sea are too slight to be of concern to sailors. See more »
To be a slave in this household is an honor.
To be a slave anywhere is to be a dog.
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The widescreen version carries the credit "Twentieth Century-Fox presents A CinemaScope Production" before the title actually appears onscreen. The "flat" version, sometimes now shown on American Movie Classics, simply says "Twentieth Century-Fox presents 'The Robe'". See more »
There seems to be little interest in this movie today but when originally released in 1953, it created a sensation and threatened, for a while, to replace "Gone With the Wind" as the highest-grossing film in history. And it was the first movie in CinemaScope -- "The Modern Entertainment Miracle You See Without the Use of Glasses!" Its opening half still plays well, even some 50 years later, but the second half tries to convincingly present the religious conversion of Marcellus -- a tricky proposition since it deals with an internal process -- and the result plays like a well-intentioned but rather simplistic Sunday sermon. Richard Burton was Oscar-nominated for his work but is clearly outshone by, of all people, Victor Mature as the slave, Demetrius. The scene of a sweaty, nearly naked Demetrius groaning and writhing under torture in a Roman dungeon helped establish Mature as "the back that launched a thousand whips." (The book "Lash! The Hundred Great Scenes of Men Being Whipped in the Movies" is dedicated to him.) Mature played Demetrius again in one of the rare big-budget sequels of the 1950s, "Demetrius and the Gladiators," which wasn't very good but which was livelier and more "fun" than its pious predecessor.
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