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Prisoners of the Casbah (1953)

Approved | | Adventure | 3 November 1953 (USA)

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(screenplay) (as De Vallon Scott), (based on a story by)
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Cast

Cast overview:
... Princess Nadja / Yasmin
... Firouz
... Ahmed
... Marouf
Paul Newlan ... 1st Thief (as Paul E. Newlan)
Lucille Barkley ... Soura
... Selim
... 2nd Thief
John Parrish ... 3rd Thief
... Yagoub
... Zeida
Eddie Fields ... Abdullah (as Eddy Fields)
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Storyline

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Genres:

Adventure

Certificate:

Approved | See all certifications »
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Details

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Release Date:

3 November 1953 (USA)  »

Also Known As:

Aihmalotoi tis Casbah  »

Company Credits

Production Co:

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Technical Specs

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

This was Turhan Bey's last film until Healer (1994) 41 years later. See more »

Quotes

[first lines]
Narrator: The Casbah of old Algiers - that strange city within a city where the forces of law and order dare not penetrate. Refuge of thieves and murderers on whose gates might well be carved, as on the gates of another place, "Abandon hope all ye who enter here." And yet one of those who entered here - much against her will - was a beautiful princess, daughter of the ruler of Algiers.
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Connections

Referenced in Crawlspace (1986) See more »

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User Reviews

 
If You're Troubled By 1001 Sleepless Nights
7 April 2015 | by See all my reviews

Richard L. Bare is best remembered for creating and directing the Joe McDoakes comedy short series at Warner Brothers. With that in mind, Sam Katzman hired him to direct this 1001 Nights potboiler as a comedy ... or perhaps the script was emended without telling the boss; as any follower of the incomparable S.K. will tell you, anything is possible in a Sam Katzman production.... except excellence.

In this one, perpetual Arabian Nights villain Turhan Bey is promoted to hero, Gloria Grahame is promoted to ingénue and Cesar Romero gets the role that would have gone to Anthony Quinn if that actor wasn't off elsewhere getting Oscar nominations. All the actors are clearly playing their roles tongue in cheek, to go along with the handling of the music, but everyone reads their endless lines in a breathless manner, especially when they are dying.

Unfortunately the entire production is treated in such a contemptuous fashion that the joke wears thin very soon. Turhan Bey would flee to Vienna and earn a living for the next forty years as a photographer. Gloria Grahame would have Lee Marvin scald her face with coffee for her sins. And Sam Katzman would continue to to produce more dreck.


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