When Cinderella's cruel stepmother prevents her from attending the Royal Ball, she gets some unexpected help from the lovable mice Gus and Jaq, and from her Fairy Godmother.
When a litter of Dalmatian puppies are abducted by the minions of Cruella de Vil, the parents must find them before she uses them for a diabolical fashion statement.
After being snubbed by the royal family, a malevolent fairy places a curse on a princess which only a prince can break, along with the help of three good fairies.
A poor boy named Arthur learns the power of love, kindness, knowledge and bravery with the help of a wizard called Merlin in the path to become one of the most beloved kings in English history.
An adaptation of J. M. Barrie's story about a boy who never grew up. The three children of the Darling family receive a visit from Peter Pan, who takes them to Never Land, where an ongoing war between Peter's gang of rag-tag runaways and the evil Pirate Captain Hook is taking place.Written by
Tim Pickett <quetzal@yoyo.cc.monash.edu.au>
The film has been seen as racist in recent years due to the way Disney portrayed the Native American "Indians" in the film. They are displayed as wild, savage, and violent, and speak in a stereotypical way. The characters often call them savages and at one point Captain Hook refers to them as "redskins". John, Michael and the Lost Boys go hunting them like animals - the Lost Boys mention lions and bears as other alternatives. In the song "What Made the Red Man Red?" the Indians themselves reflect on how they got the color of their skin; they maintain a permanent blush due to their ancestor's pursuit of a woman; and that asking "How?" is a major catalyst for Indian education. These stereotypes are present in J.M. Barrie's play. Marc Davis, one of the supervising animators of the film, said in an interview years after the production that "I'm not sure we would have done the Indians if we were making this movie now. And if we had we wouldn't do them the way we did back then." See more »
Goofs
When Peter and the children land on the minute hand of Big Ben and force it to the quarter past position, the clock chimes the hour, when it should only chime the quarter-hour. See more »
Quotes
[first lines]
Narrator:
All this has happened before, and it will all happen again. But this time it happened in London. It happened on a quiet street in Bloomsbury. That corner house over there is the home of the Darling family. And Peter Pan chose this particular house because there were people here who believed in him.
See more »
Crazy Credits
A message appears during the credits: "Walt Disney Productions is grateful to the Hospital for Sick Children, Great Ormond Street, London, to which Sir J.M. Barrie gave his copyright of Peter Pan." See more »
Alternate Versions
In the 1990 video, instead of the original RKO logo, the film opens with the entire Walt Disney Pictures logo, with the Walt Disney Pictures theme replacing part of "The Second Star to the Right." In the 1998 video, 1999, 2002 and 2007 DVD, the RKO logo and music are restored, but they occur after the Walt Disney Pictures logo opens the film. In the 2013 and 2018 Blu-Ray/DVD, the Walt Disney Pictures logo isn't used at all and just begins with the RKO logo. See more »
'Peter Pan' is undoubtedly one of the best of Disney's films. The story isn't too deep or meaningful, as, say, 'Bambi'. The power behind it is the familiarity. Every little kid yearns to haveadventures like Peter, so everyone identifies with the story. To tell the truth, the film is kind of episodic, like an extra-large TV cartoon special. The climax is fittingly climactic, but the final defeat of Hook isn't really powerful enough, which makes it disappointing after all the flashy swordplay. Speaking of Hook, he and Mr Smee are inevitably the scene-stealers, no matter how beloved Peter may be to children. The same way, in Hook/Smee scenes, if you throw in a hungry crocodile, the monstrous reptile will overshadow even Hook. Wendy really looks too old to be horrified about growing up, though, except for the sequences in which she fantasizes about Never Land with all the authenticity of a three-year-old. Never Land is beautiful, to say the least. The lush jungles and the mermaid lagoon is wonderfully brought to life, as is the eery Skull Island. This is the best showcase for the art direction. Also excellent is the detailed, meticulous design of the wooden hideout of the Lost Boys.
'Peter Pan' is one of my all-time favorites. It has humor, great animation, and the best part of it is a simplistic story that revolves around the desires of the child within all of us (I'm still twelve, so I never had to look too deep). A must-see for any animation fan, particularly Disney buffs, the young and the young-at-heart.
9/10
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'Peter Pan' is undoubtedly one of the best of Disney's films. The story isn't too deep or meaningful, as, say, 'Bambi'. The power behind it is the familiarity. Every little kid yearns to haveadventures like Peter, so everyone identifies with the story. To tell the truth, the film is kind of episodic, like an extra-large TV cartoon special. The climax is fittingly climactic, but the final defeat of Hook isn't really powerful enough, which makes it disappointing after all the flashy swordplay. Speaking of Hook, he and Mr Smee are inevitably the scene-stealers, no matter how beloved Peter may be to children. The same way, in Hook/Smee scenes, if you throw in a hungry crocodile, the monstrous reptile will overshadow even Hook. Wendy really looks too old to be horrified about growing up, though, except for the sequences in which she fantasizes about Never Land with all the authenticity of a three-year-old. Never Land is beautiful, to say the least. The lush jungles and the mermaid lagoon is wonderfully brought to life, as is the eery Skull Island. This is the best showcase for the art direction. Also excellent is the detailed, meticulous design of the wooden hideout of the Lost Boys.
'Peter Pan' is one of my all-time favorites. It has humor, great animation, and the best part of it is a simplistic story that revolves around the desires of the child within all of us (I'm still twelve, so I never had to look too deep). A must-see for any animation fan, particularly Disney buffs, the young and the young-at-heart.
9/10