When Cinderella's cruel stepmother prevents her from attending the Royal Ball, she gets some unexpected help from the lovable mice Gus and Jaq, and from her Fairy Godmother.
After being snubbed by the royal family, a malevolent fairy places a curse on a princess which only a prince can break, along with the help of three good fairies.
When a litter of Dalmatian puppies are abducted by the minions of Cruella de Vil, the parents must find them before she uses them for a diabolical fashion statement.
With the help of a smooth talking tomcat, a family of Parisian felines set to inherit a fortune from their owner try to make it back home after a jealous butler kidnaps them and leaves them in the country.
A poor boy named Arthur learns the power of love, kindness, knowledge and bravery with the help of a wizard called Merlin in the path to become one of the most beloved kings in English history.
Director:
Wolfgang Reitherman
Stars:
Rickie Sorensen,
Sebastian Cabot,
Karl Swenson
An adaptation of J. M. Barrie's story about a boy who never grew up. The three children of the Darling family receive a visit from Peter Pan, who takes them to Never Land, where an ongoing war between Peter's gang of rag-tag runaways and the evil Pirate Captain Hook is taking place.Written by
Tim Pickett <quetzal@yoyo.cc.monash.edu.au>
In the originally-planned version, Nana traveled with the children to Neverland. It also had a much darker ending. See more »
Goofs
When Michael falls behind Peter, Wendy, and John as they are flying to Neverland, Michael sees Nana barking and uses Tinkerbell to sprinkle pixie dust on her. In the next shot as Michael flies away, John is right in front of him. This is impossible since the others were so far ahead of him, by this time they wouldn't be visible in the shot. See more »
Quotes
[first lines]
Narrator:
All this has happened before, and it will all happen again. But this time it happened in London. It happened on a quiet street in Bloomsbury. That corner house over there is the home of the Darling family. And Peter Pan chose this particular house because there were people here who believed in him.
See more »
Crazy Credits
A message appears during the credits: "Walt Disney Productions is grateful to the Hospital for Sick Children, Great Ormond Street, London, to which Sir James M. Barrie gave his copyright of Peter Pan." See more »
Alternate Versions
In the 1990 video, instead of the original RKO logo, the film opens with the entire Walt Disney Pictures logo, with the Walt Disney Pictures theme replacing part of "The Second Star to the Right." In the 1998 video, 1999, 2002 and 2007 DVD, the RKO logo and music are restored, but they occur after the Walt Disney Pictures logo opens the film. In the 2013 and 2018 Blu-Ray/DVD, the Walt Disney Pictures logo isn't used at all and just begins with the RKO logo. See more »
If Walt Disney had never made another cartoon feature after BAMBI in 1942 he would still be remembered as the man who transformed the animated full length film into an art form. SNOW WHITE , PINOCCHIO , FANTASIA and BAMBI all belong on the list of the greatest achievements in American Film. Disney's next phase in full length animation took place after World War 2 and although these subsequent works may not match the brilliance and creativity of the earlier films, they still possess the superb craftsmanship the Disney artists are famous for. Missing from the new batch of films was the meticulous background detail that distinguished the earlier projects. Starting with Cinderella in 1950, the animators seemed to concentrate more on clean, uncluttered backgrounds but the drawing was just as professional as before , characters still brought to life with fluid, lifelike movements. Colors tended to be bright and splashy, but the cartoonists also knew when subtlety was called for, and scenes occurring at night were done with convincing atmosphere and shadows. The success of Cinderella confirmed that the movie-going public was still willing to be entertained and moved by a cartoon movie, and Disney and his artists forged ahead with an impressive array of animated features that to this day remain models of the Art Form. Perhaps the greatest of these was PETER PAN, first released in 1953. Based on J.M. Barrie's immortal play and novel about the little boy who doesn't want to grow up, PETER PAN had been a project stewing in Disney's mind for years. It wasn't until after the War that work on the film really took off. When the movie was completed and finally released to theaters, Disney seemed rather ambivalent about its achievement. He had a hard time defining who Peter actually was as a character but to millions of children in movie theaters all over the world, that didn't seem to matter. PETER PAN is not very deep story-wise. It lacks the heart and sentiment of the Barrie original, which to some degree is a good thing. Past stage versions and the spectacular 1924 Paramount film version could be cloyingly sentimental at times.
The Disney version is light and breezy and moves at a clip. The London sequence which opens the picture is spectacular in both the backdrops and the animation itself. When Peter, Wendy, John and Michael leap out of the Darling nursery window and fly over nighttime Edwardian London the viewer is treated to some of the most thrilling animation ever created for the movies. Later sections of the movie are equally enchanting, and the personage of the villainous Captain Hook is brought to great comic life by Disney animators and the marvelous vocal talent of Hans Conried. As with past Disney efforts, the song score is superb. "Second Star to the Right", "You Can Fly" and "Your Mother and Mine" are highlights in a tuneful soundtrack created by Sammy Cahn and Sammy Fain.
PETER PAN holds a special place in my heart. It was the first movie I ever saw. As a 4 year old sitting with my father in an ornate, red carpeted movie palace in Cincinnati, Ohio, looking up at that big screen watching Peter and his friends swooping and flying over the roofs and spires of London was an overwhelming experience. I was hooked, so to speak, and it is an image that has stayed with me ever since. This is the film that initiated my love affair with movies. PETER PAN is one of the iconic films of the Baby Boom Generation.
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If Walt Disney had never made another cartoon feature after BAMBI in 1942 he would still be remembered as the man who transformed the animated full length film into an art form. SNOW WHITE , PINOCCHIO , FANTASIA and BAMBI all belong on the list of the greatest achievements in American Film. Disney's next phase in full length animation took place after World War 2 and although these subsequent works may not match the brilliance and creativity of the earlier films, they still possess the superb craftsmanship the Disney artists are famous for. Missing from the new batch of films was the meticulous background detail that distinguished the earlier projects. Starting with Cinderella in 1950, the animators seemed to concentrate more on clean, uncluttered backgrounds but the drawing was just as professional as before , characters still brought to life with fluid, lifelike movements. Colors tended to be bright and splashy, but the cartoonists also knew when subtlety was called for, and scenes occurring at night were done with convincing atmosphere and shadows. The success of Cinderella confirmed that the movie-going public was still willing to be entertained and moved by a cartoon movie, and Disney and his artists forged ahead with an impressive array of animated features that to this day remain models of the Art Form. Perhaps the greatest of these was PETER PAN, first released in 1953. Based on J.M. Barrie's immortal play and novel about the little boy who doesn't want to grow up, PETER PAN had been a project stewing in Disney's mind for years. It wasn't until after the War that work on the film really took off. When the movie was completed and finally released to theaters, Disney seemed rather ambivalent about its achievement. He had a hard time defining who Peter actually was as a character but to millions of children in movie theaters all over the world, that didn't seem to matter. PETER PAN is not very deep story-wise. It lacks the heart and sentiment of the Barrie original, which to some degree is a good thing. Past stage versions and the spectacular 1924 Paramount film version could be cloyingly sentimental at times.
The Disney version is light and breezy and moves at a clip. The London sequence which opens the picture is spectacular in both the backdrops and the animation itself. When Peter, Wendy, John and Michael leap out of the Darling nursery window and fly over nighttime Edwardian London the viewer is treated to some of the most thrilling animation ever created for the movies. Later sections of the movie are equally enchanting, and the personage of the villainous Captain Hook is brought to great comic life by Disney animators and the marvelous vocal talent of Hans Conried. As with past Disney efforts, the song score is superb. "Second Star to the Right", "You Can Fly" and "Your Mother and Mine" are highlights in a tuneful soundtrack created by Sammy Cahn and Sammy Fain.
PETER PAN holds a special place in my heart. It was the first movie I ever saw. As a 4 year old sitting with my father in an ornate, red carpeted movie palace in Cincinnati, Ohio, looking up at that big screen watching Peter and his friends swooping and flying over the roofs and spires of London was an overwhelming experience. I was hooked, so to speak, and it is an image that has stayed with me ever since. This is the film that initiated my love affair with movies. PETER PAN is one of the iconic films of the Baby Boom Generation.