IMDb RATING
6.6/10
8.6K
YOUR RATING
On a Kenyan safari, white hunter Victor Marswell has a love triangle with seductive American socialite Eloise Kelly and anthropologist Donald Nordley's cheating wife Linda.On a Kenyan safari, white hunter Victor Marswell has a love triangle with seductive American socialite Eloise Kelly and anthropologist Donald Nordley's cheating wife Linda.On a Kenyan safari, white hunter Victor Marswell has a love triangle with seductive American socialite Eloise Kelly and anthropologist Donald Nordley's cheating wife Linda.
- Nominated for 2 Oscars
- 3 wins & 4 nominations total
Samburu
- Themselves
- (as Samburu tribe of Kenya Colony)
Wagenia
- Themselves
- (as Wagenia tribe of Belgian Congo)
Bahaya
- Themselves
- (as Bahaya tribe of Tanganyika)
M'Beti
- Themselves
- (as M'Beti tribe of French Equatorial Africa)
Asa Etula
- Young Native Girl
- (uncredited)
Bruce Seton
- Wilson
- (uncredited)
- Director
- Writers
- John Lee Mahin(screenplay)
- Wilson Collison(play)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaClark Gable did not get along with director John Ford during filming, and at one point walked off the set in protest at Ford's treatment of Ava Gardner. Ford also made several remarks about Gable's age and weathered appearance.
- GoofsDuring the gorilla footage - shot separately from the rest of the film - the gorillas are shown eating pineapples, which, while being grown in ZImbabwe and Cote d'Ivoire, are not native to the region of Africa in this movie.
- Quotes
[Vic hoists a young rhinoceros out of a trap]
Eloise Kelly: Hey! A kangaroo.
- Crazy creditsOpening Title Card reads: Metro-Goldwyn-Mayer is grateful beyond measure to the government officials of Kenya Colony, Tanganyika, the Uganda Protectorate and the Republic of French Equatorial Africa, whose limitless co-operation made this motion picture possible.
- ConnectionsEdited into Trader Horn (1973)
Featured review
Exciting jungle adventure, boasting outstanding direction and first-rate performances (especially Ava Gardner's)
In all earnestness, can you imagine a more enjoyable way of spending two hours than journeying through the jungles of Africa with Clark Gable, Ava Gardner and Grace Kelly, in a film directed by the legendary John Ford? Neither can I, and `Mogambo' does not disappoint.
It is a remake of `Red Dust,' a film made by Gable over twenty years earlier, and here (remarkably enough) Clark reprises his role from the first film, with a few small changes. This time around he plays Victor Marswell, a rugged big game hunter and safari leader. Into his African camp comes Gardner, a wisecracking American chorus girl stranded in the jungle and none too happy about it. She and Gable have a brief affair, but the arrival of a British anthropologist and his sheltered wife (Kelly) quickly puts an end to it. Gable agrees to lead the anthropologist on an expedition into gorilla country, and along the way he falls deeply in love with Kelly, and she with him. Gardner, feeling rejected by Gable, first tries to make his life miserable with constant innuendos, but later admits defeat and becomes his ally. In the midst of the gorilla hunt, Gable and Kelly try to find a way to explain their situation to her husband.
Their main problem is that the husband is just too likable. He is a decent, good-humored man who loves Kelly dearly and is filled with admiration for Gable, so neither wishes to hurt him. Meanwhile, developments occur in the Gardner character she once loved and lost, and is now on the lookout for another man, setting her sights on the macho Gable. She, too, is impossible to dislike, with her sharp wit and ability to size up every situation. She knows where she stands.
This is one of the few remakes in Hollywood history to equal, and in my opinion surpass, its predecessor. Of course, this film is not constrained by indoor sets as was the previous one, but there is much more to it than that. `Red Dust' was directed by Victor Fleming, certainly a competent filmmaker, but Ford was a master. He cleverly decided not to use a musical score, but instead to rely on jungle sounds and tribal chants for the soundtrack. Gable is more confident here than before, replacing his earlier smugness with a more mature and hard-bitten performance. Kelly, on the brink of achieving stardom, is rightly prim and proper but still produces a strong, rich characterization.
However, the film belongs to Gardner, who admittedly has all the best lines but makes even the mundane ones sound appealing. She lights up every scene she is in, and unfortunately those she is not in are weaker by comparison. Her performance is at once radiant, robust, perceptive and exuberant, and yet somewhat sad. She really gets under the skin of her character and gives arguably the finest performance of her career.
The bottom line is that this movie is downright fun. Everyone involved does a top-notch job, and not once does the story drag. It is beautifully photographed in Technicolor, and the animal sequences are exciting and well paced. It's a joy to watch from start to finish, and is highly recommended to all those who love movies. Enough said.
It is a remake of `Red Dust,' a film made by Gable over twenty years earlier, and here (remarkably enough) Clark reprises his role from the first film, with a few small changes. This time around he plays Victor Marswell, a rugged big game hunter and safari leader. Into his African camp comes Gardner, a wisecracking American chorus girl stranded in the jungle and none too happy about it. She and Gable have a brief affair, but the arrival of a British anthropologist and his sheltered wife (Kelly) quickly puts an end to it. Gable agrees to lead the anthropologist on an expedition into gorilla country, and along the way he falls deeply in love with Kelly, and she with him. Gardner, feeling rejected by Gable, first tries to make his life miserable with constant innuendos, but later admits defeat and becomes his ally. In the midst of the gorilla hunt, Gable and Kelly try to find a way to explain their situation to her husband.
Their main problem is that the husband is just too likable. He is a decent, good-humored man who loves Kelly dearly and is filled with admiration for Gable, so neither wishes to hurt him. Meanwhile, developments occur in the Gardner character she once loved and lost, and is now on the lookout for another man, setting her sights on the macho Gable. She, too, is impossible to dislike, with her sharp wit and ability to size up every situation. She knows where she stands.
This is one of the few remakes in Hollywood history to equal, and in my opinion surpass, its predecessor. Of course, this film is not constrained by indoor sets as was the previous one, but there is much more to it than that. `Red Dust' was directed by Victor Fleming, certainly a competent filmmaker, but Ford was a master. He cleverly decided not to use a musical score, but instead to rely on jungle sounds and tribal chants for the soundtrack. Gable is more confident here than before, replacing his earlier smugness with a more mature and hard-bitten performance. Kelly, on the brink of achieving stardom, is rightly prim and proper but still produces a strong, rich characterization.
However, the film belongs to Gardner, who admittedly has all the best lines but makes even the mundane ones sound appealing. She lights up every scene she is in, and unfortunately those she is not in are weaker by comparison. Her performance is at once radiant, robust, perceptive and exuberant, and yet somewhat sad. She really gets under the skin of her character and gives arguably the finest performance of her career.
The bottom line is that this movie is downright fun. Everyone involved does a top-notch job, and not once does the story drag. It is beautifully photographed in Technicolor, and the animal sequences are exciting and well paced. It's a joy to watch from start to finish, and is highly recommended to all those who love movies. Enough said.
helpful•118
- rmears1
- Jul 6, 2001
Details
Box office
- Budget
- $3,103,000 (estimated)
- Runtime1 hour 56 minutes
- Color
- Aspect ratio
- 1.37 : 1
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