A photographer for Life magazine comes to London to do a story on a local theater troupe which never missed a performance during World War II. Flashbacks also reveal the backstage love ... See full summary »
In order to cover up his philandering ways, a married Broadway producer sets one of his dancers up on a date with a chorus girl for whom he had bought a gift, but the two dancers fall in love for real.
After her banishment from Rome, Jewish Princess Salome returns to her Roman-ruled native land of Galilee where prophet John the Baptist preaches against Salome's parents, King Herod and Queen Herodias.
Joey Evans is charming, handsome, funny, talented, and a first class, A-number-one heel. When Joey meets the former chorus girl ("She used to be 'Vera...with the Vanishing Veils'") and now ... See full summary »
At a lonely military outpost on American Samoa, sticky heat alternates with torrential rain. A ship quarantine strands here Sadie Thompson, a "breezy dame" who sets the Marines afire... and self-righteous Mr. Davidson, powerful head of the Mission Board, who suspects Sadie is a fugitive from the notorious Emerald Club of Honolulu. Meanwhile, Sadie is courted by crude but good-hearted Marine Sgt. Phil O'Hara.Written by
Rod Crawford <firstname.lastname@example.org>
Aldo Ray sits in a hut with natives, trying to find a place for Rita Hayworth in the village. The language used is Samoan. The native says, "Leai se potu," meaning "no room." Ray replies politely but then ends the conversation with, "Alu," which doesn't mean "good-bye" but rather something like, "Get out of here." It's what Samoans say when they shoo animals away from the food or chase children out of the house. See more »
Sergeant O'Hara's shirt is wet with sweat as he leaves the radio tent but dry as he exits. See more »
I suppose you came to see me about that disturbance last night. Major Kenner has just assured me that the Chinaman's place will be declared off limits.
At my insistence.
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I was so excited to find this movie...two of my favorite actors together! But the movie just doesn't work. It can't get the spirit of its author (and what a sour spirit) because of censorship, nor does it try to get into the minds of fundamentalist Christians (I don't think the filmmakers could). It's very sad because you see glimpses of greatness. Ferrer and Hayworth seem to be struggling without a director to deliver, but the soundstagey mess of a film overtakes them. The supporting actors aren't very good. If this film had been made with some grittiness, maybe it would have succeeded. But as it is, it's a messy hodgepodge.(the story is definitely not obsolete. we can see versions of it with Jessica Hahn and Jim Bakker, etc.)
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