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Man in the Dark (1953)

Approved | | Crime, Drama, Film-Noir | 9 April 1953 (USA)
Many interested parties are after the loot from a factory payroll heist but the mobster who hid it has amnesia after undergoing experimental brain surgery in the prison hospital.

Director:

Lew Landers

Writers:

George Bricker (screenplay), Jack Leonard (screenplay) | 3 more credits »
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Cast

Complete credited cast:
Edmond O'Brien ... Steve Rawley
Audrey Totter ... Peg Benedict
Ted de Corsia ... Lefty
Horace McMahon ... Arnie
Nick Dennis ... Cookie
Dayton Lummis Dayton Lummis ... Dr. Marston
Dan Riss ... Jawald
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Storyline

A thug is convicted and undergoes experimental brain surgery to remove the criminal element in his brain. The operation wipes out all memories of his past life, including where he stashed the loot. He is abducted by his gang and they try to beat the truth out of him. His memories return in the form of weird dreams, and he and his old girlfriend track down the clues to find the money. Written by Ed Lorusso

Plot Summary | Add Synopsis

Taglines:

TAKEN FOR A RIDE...on a roller-coaster! in 3 DIMENSIONS (original print ad - mostly caps) See more »


Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

9 April 1953 (USA) See more »

Also Known As:

The Man Who Lived Twice See more »

Company Credits

Production Co:

Columbia Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Color:

Black and White (Sepiatone)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

In a separately filmed trailer, Edmond O'Brien talks to the audience about the film and about "Three Dimension". See more »

Goofs

During the chase when Steve is abducted, one of the crooks leans out of the car and fires nine shots at the cops from a six-shot revolver. See more »

Alternate Versions

Originally released in 3D, in prints that were sepia-toned. See more »

Connections

Remake of The Man Who Lived Twice (1936) See more »

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User Reviews

 
Noirish 3-D thriller still has a little bit of fizz left in it
12 April 2003 | by bmacvSee all my reviews

Edmond O'Brien has a severe case of retrograde amnesia, but he didn't contract it in the Pacific. He's a robber who got away with $130,000 in a Christmas Eve heist, was convicted and served his time. But he'll get a second chance if he submits to an operation to excise the criminal portion of his brain. Understandably, he's conflicted, and when they move it up from the scheduled day he balks: `I was born on a Monday. I may as well go on one – like dirty laundry.' But the operation proves a stunning success, so delicate that it erases all memories of his past life but leaves him with a perfect command of American slang.

But the placid life he leads at the sanitarium – pruning hedges and daubing canvases – comes to an abrupt halt when he's kidnaped by his old gang, now led by Ted De Corsia. They want the money, which was never recovered; so does an implacable Javert of an insurance investigator. Even his old girlfriend (Audrey Totter) sees him only as a ticket to the high life, until she falls for the new, improved O'Brien and renounces her grasping ways. (The often ill-used Totter shines here, especially on a martini bender when she asks the bartender, `Oh, Fred, what do you do when you hate yourself?')

Odd clues begin to surface from O'Brien's troubled nightmares, however, leading him and Totter (with the rest of the cast plus the police in pursuit) to claim a parcel left at an amusement park. And this is the big set-piece of the movie, originally released in 3-D. Cars come whooshing around the curves and down the dips of a roller coaster while pitched battles are being fought on the tracks. Watching these 3-D movies now is like drinking soda that's gone flat: All the ingredients are there but the sparkle's gone. But in their endearingly gimmicky way, they evoke their era, as do the flats equipped with party lines and furnished with lampshades bearing reproductions of paintings. Man in the Dark's too short, and needs an extra layer of complexity. But there's still a bit of fizz left in it.


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