When an aristocratic woman known only as "Madame de . . ." sells a pair of earrings given to her by her husband in order to pay some debts, she sets off a chain reaction of financial and carnal consequences that can end only in despair.
In the Paris of the late 19th century, Louise, wife of a general, sells the earrings her husband gave her as a wedding gift: she needs money to cover her debts. The general secretly buys the earrings again and gives them to his mistress, Lola, leaving to go to Constantinople. Where an Italian diplomat, Baron Donati, buys them. Back to Paris, Donati meets Louise... So now Louise discovers love and becomes much less frivolous.Written by
Yepok
Director Max Ophüls only signed on to direct this film once his project to adapt Honoré de Balzac's novel, "La Duchesse de Langeais" fell through. This defunct project was intended to be a comeback vehicle for Greta Garbo. Ophüls felt that Garbo, like himself, was particularly adept at portraying the humanity and emotions of a doomed romance. Incidentally, Garbo's costume tests for the ill-fated project would prove to be her very last professional work. Once the project fell through, however, Ophüls turned his attention to making this film. See more »
Goofs
When the general gives the earrings to Lola on the train, she is crying and has her little bag on her lap. In the next cut, the bag is on the table. See more »
Unlike Letter From an Unknown Woman, the only other film by Ophuls that i have seen, this one doesn't have much emotion, and it's harder to like the characters (for me, at least). Probably because of that, the title character is not as interesting as she could be; the men, whoever, are, probably more due to the great performances by Charles Boyer and the maverick director Vittorio de Sica. But any problems are forgivable due to the irreproachable costumes and art direction, the marvelous cinematography, and the very elaborate and rich camera work. It's the most beautiful film to look at that i have seen in a long time. Stanley Kubrick (like he said himself) owns much of his visual style to the German filmmaker. It's one of those unforgettable films, not because of the performers, or the plot, or the message, but the images; Vittorio de Sica and Danielle Darrieux dancing elegantly through the nights of Paris is one of the most remarkable moments in the history of cinema.
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Unlike Letter From an Unknown Woman, the only other film by Ophuls that i have seen, this one doesn't have much emotion, and it's harder to like the characters (for me, at least). Probably because of that, the title character is not as interesting as she could be; the men, whoever, are, probably more due to the great performances by Charles Boyer and the maverick director Vittorio de Sica. But any problems are forgivable due to the irreproachable costumes and art direction, the marvelous cinematography, and the very elaborate and rich camera work. It's the most beautiful film to look at that i have seen in a long time. Stanley Kubrick (like he said himself) owns much of his visual style to the German filmmaker. It's one of those unforgettable films, not because of the performers, or the plot, or the message, but the images; Vittorio de Sica and Danielle Darrieux dancing elegantly through the nights of Paris is one of the most remarkable moments in the history of cinema.