Two ghosts attend an engagement party, unseen by the other guests. One ghost, Dupont, is the father of the bride-to-be. He looks back on his marriage to her mother. His wife Annette was ... See full summary »
In the Paris of the late 19th century, Louise, wife of a general, sells the earrings her husband gave her as a wedding gift: she needs money to cover her debts. The general secretly buys the earrings again and gives them to his mistress, Lola, leaving to go to Constantinople. Where an Italian diplomat, Baron Donati, buys them. Back to Paris, Donati meets Louise... So now Louise discovers love and becomes much less frivolous.Written by
Was originally released with a longer ending where you see the earrings being passed from a young Nun to a young woman marrying a General. This was meant to create a circular structure for the film with the young woman representing the next Madame de. However Max Ophüls felt it weakened the film when it was finished and personally cut it from the final prints. See more »
When the general gives the earrings to Lola on the train, she is crying and has her little bag on her lap. In the next cut, the bag is on the table. See more »
Unlike Letter From an Unknown Woman, the only other film by Ophuls that i have seen, this one doesn't have much emotion, and it's harder to like the characters (for me, at least). Probably because of that, the title character is not as interesting as she could be; the men, whoever, are, probably more due to the great performances by Charles Boyer and the maverick director Vittorio de Sica. But any problems are forgivable due to the irreproachable costumes and art direction, the marvelous cinematography, and the very elaborate and rich camera work. It's the most beautiful film to look at that i have seen in a long time. Stanley Kubrick (like he said himself) owns much of his visual style to the German filmmaker. It's one of those unforgettable films, not because of the performers, or the plot, or the message, but the images; Vittorio de Sica and Danielle Darrieux dancing elegantly through the nights of Paris is one of the most remarkable moments in the history of cinema.
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