Young boxer Jim Kane, resting at a New Mexico "health ranch," meets and falls for Peggy Harmon, former nightclub table singer...who needs $600 more for her sickly son to stay in the place. ... See full summary »
Jake MacIllaney will do just about anything to win the presidential election of longshoreman union Local 26. When he encounters young upright attorney Dan Cabot and Cabot's attractive wife,... See full summary »
Colorful bayou peddler Hank Martin marries pretty teacher Verity, who finds that the rural poor all love Hank. Gradually, she realizes that Hank's popularity is the fruit of his expert manipulation of everyone he knows. She's further taken aback when she meets sexy swamp girl Flamingo, who considered Hank hers and is murderously jealous. Now Hank starts crusading against a crooked cotton buyer, and swiftly rises toward political power. Is there no stopping him?Written by
Rod Crawford <email@example.com>
When Verity gives Miss Lefevre her bottle of "tonic", it is actually a large bottle of Pepto-Bismol. See more »
Fifteen minutes in, when James Cagney and Barbara Hale are walking towards Mr. Castleberry's mansion, a very visible boom mic shadow can be seen moving in front of them, going from the top to the middle of the screen. See more »
It's these folks. They're all so wonderful.
Well, all folks is wonderful. You just have to know the right place to kick 'em in.
Sure. It's like learnin' to play a musical instrument by ear. All you gotta know is what place to push to get what note. Then pretty soon, everybody's dancin'...to your tune.
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This isn't the worst Cagney movie, but it is a good example of the problem with his acting. He was an amazing screen presence, demanding to be watched, a wonderfully versatile performer and an incredibly successful professional, but (and I know it's almost sacrilege to say this in the company of nostalgia-hungry Americans) he brought far too much of his dancing to his straight acting. The result is so often irritating, jerky physicality producing an uncomfortable caricature rather than a believable character. Hank Martin is one of many Cagney performances that needs the melodrama turning down a notch or two. This isn't the worst culprit; for that see "What Price Glory", "Blood on the Sun" or "The Fighting 69th".
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