An ex-husband and wife team star in a musical version of 'The Taming of the Shrew'; off-stage, the production is troublesome with ex-lovers' quarrels and a gangster looking for some money owed to them.
Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
Fred and Lilly are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play. A fight on the opening night threatens the production, as well as two thugs who have the mistaken idea that Fred owes their boss money and insist on staying next to him all night.Written by
John Vogel <firstname.lastname@example.org>
The clever show-within-a-show aspect of this film (and the play upon which it is based) is that the movie itself is a modernized version of The Taming of the Shrew in which the main characters are themselves performing the play, The Taming of the Shrew. See more »
Boom mic shadows very visible in scenes backstage during the performance of the show. See more »
The movie is not the same as the stage production but it stands on its own as one of the best MGM musicals of the era. Howard Keel and Katherine Grayson were never better in any other of their films; Ann Miller is her usual energetic and delightful self, plus you get to see some superb dancers who made very few films at all, and they are all at the top of their form: Tommy Rall, Jeannie Coyne, Bob Fosse, Carol Haney and Bobby Van. The big closing number, From This Moment On, is a showcase for those five dancers plus Miller...look out for Fosse and Haney's amazing hipster/be-bop flavored segment! That song was added to the movie from another Porter show and it is the highlight of this great movie!
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