- Director
- Writer
- Michael Blankfort(novel)
- Stars
- Director
- Writer
- Michael Blankfort(novel)
- Stars
- Awards
- 1 win
- Yehoshua Bresler
- (as Joey Walsh)
- Mukhtar
- (scenes deleted)
- Hannah
- (uncredited)
- Refugee
- (uncredited)
- Papa Sander - Susy's Father
- (uncredited)
- Bus Driver
- (uncredited)
- Telephone Girl
- (uncredited)
- Audience Member
- (uncredited)
- Mordecai
- (uncredited)
- Director
- Writer
- Michael Blankfort(novel) (screenplay)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe film is based on author Michael Blankfort's novel with the same title. Initially, producer Stanley Kramer wanted author Michael Blankfort to direct the film but Blankfort was refused a passport for travel to Israel by the United States State Department because Blankfort had been a Communist many years earlier. Kramer reassigned the film to director Edward Dmytryk who served almost a year in prison in 1948 after being convicted of contempt of Congress for refusing to divulge his political affiliations. After his release from prison, Dmytryk moved to England but returned to the U.S. and gave testimony before the House Committee on Un-American Activities and, as a result, was removed from the film industry blacklist.
- Quotes
Registration Official at Haifa: Name?
Hans Muller: [softly] Hans Muller
Registration Official at Haifa: You have to speak louder
Hans Muller: HANS MULLER's my name
Registration Official at Haifa: A little softer please. Place of birth?
Hans Muller: Germany... Munich... Beautiful city
Registration Official at Haifa: Occupation before the war?
Hans Muller: You wouldn't believe me
Registration Official at Haifa: I'll believe anything
Hans Muller: I was a juggler.
Registration Official at Haifa: What?
Hans Muller: A juggler
[pantomimes juggling balls in the air]
Registration Official at Haifa: We need a juggler like a hole in the head. What can you do besides throwing things up in the air and catching them?
Hans Muller: My dear sir, to say I throw things up in the air and catch them is like saying Shakespeare just wrote words. Would you care to see my scrapbook?
Registration Official at Haifa: No. Show it when you look for a job... if there are any for jugglers
Hans Muller: I'm retired. I havent thrown up anything but bad food in ten years
Registration Official at Haifa: So what else can you do?
Hans Muller: I can wash dishes, sweep barracks, clean toilets. I can also smile while being beaten by fists, feet, straps and long rubber hoses. I can be used as a guinea pig for new drugs and old poisons. All of which we learned as guests of the Nazis.
- ConnectionsFeatured in ... A Father... A Son... Once Upon a Time in Hollywood (2005)
Kirk Douglas was cast as a German-Jew who has just immigrated to Israel in 1949. Since WWII, we don't know what he's done or where he's been, but he was horribly abused in a concentration camp, so it isn't at all surprising he is emotionally fragile and suffers from a classic case of Post-traumatic Stress Syndrome. In some ways, Kirk was an excellent choice--he's Jewish and did amazingly well in his juggling routines. However, having him play a German named "Hans Muller" was silly, as he acted about as German as Mickey Mouse. Everyone but Kirk had a strong accent in the film--Kirk sounded like an American. Also, while I love his films, Mr. Douglas is NOT one of the more subtle actors in history and a few of his scenes where he struggles with the effects of PTSD were overdone--and were almost silly. And that is NOT something you want in a serious film about a very serious topic.
Aside from this casting problem (why didn't they just have Kirk play a man who was originally an American and he was living in Europe?), the other smaller problem about the film is that, at times, it tried a little too hard. Scenes from the kibbutz seemed a tad over-idealistic and lacked realism from time to time.
However, despite these serious flaws, the film still was engaging and had one of the earliest and best portrayals of PTSD on film. It's well worth seeing for mental health professionals and people interested in the early history of Israel, but others might find it tough sailing. An earnest and sincere failure that is still a decent time-passer.
My advice? See some other films about the Holocaust first--save this one for later if you are so inclined. Some great films about this era you might want to first watch are THE SHOP ON MAIN STREET (from Czechoslovakia), THE SEARCH, SCHINDLER'S LIST, LIFE IS BEAUTIFUL and the TV mega-miniseries, WAR AND REMEMBRANCE. For early Israeli history (post-1948), try EXODUS--it's not perfect but is still far better than this film.
- planktonrules
- May 28, 2008
Details
- Runtime1 hour 24 minutes
- Color
- Aspect ratio
- 1.37 : 1
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