6.5/10
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115 user 53 critic

Invaders from Mars (1953)

Approved | | Horror, Sci-Fi | 22 April 1953 (USA)
A young boy learns that space aliens are taking over the minds of earthlings.

Writer:

Richard Blake (screenplay)
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Cast

Complete credited cast:
Helena Carter ... Dr. Pat Blake
Arthur Franz ... Dr. Stuart Kelston / Narrator
Jimmy Hunt ... David MacLean
Leif Erickson ... Mr. George MacLean
Hillary Brooke ... Mrs. Mary MacLean
Morris Ankrum ... Col. Fielding
Max Wagner ... Sgt. Rinaldi
William Phipps ... Sgt. Baker (as Bill Phipps)
Milburn Stone ... Capt. Roth
Janine Perreau ... Kathy Wilson
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Storyline

One night, young David McLean sees a spaceship crash into a nearby sandpit. His father goes to investigate, but comes back changed. Where once he was cheerful and affectionate, he's now sullen and snarlingly rude. Others fall into the sandpit and begin acting like him: cold, ill-tempered and conspiratorial. David knows that aliens are taking over the bodies of humans, but he'll soon discover there have been far more of these terrible thefts than he could have imagined. The young doom-monger finds some serious help in a lady doctor and a brilliant astronomer. Soon they meet the aliens: green creatures with insect-like eyes. These beings prove to be slaves to their leader: a large, silent head with ceaselessly shifting eyes and two tentacles on either side, each of which branches off into three smaller tentacles. It's up to the redoubtable earth trio to stop its evil plans. Written by J. Spurlin

Plot Summary | Plot Synopsis

Taglines:

From out of space... came hordes of green monsters! See more »

Genres:

Horror | Sci-Fi

Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

22 April 1953 (USA) See more »

Also Known As:

The Invaders See more »

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Box Office

Budget:

$290,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Color:

Color (Supercinecolor) (uncredited)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The eerie sandpit choir chant was done by a choral group made up of eight men and eight women. Moreover, said chant was further enhanced with echo in post-production to give it a more haunting and ethereal quality. See more »

Goofs

When Dr. Blake and David fall through the hole into the chambers below Dr. Blake's dress is in tact. A few scenes later, after the mutants have carried her to the Martian control unit, the right shoulder of her dress is ripped to reveal her bare shoulder. See more »

Quotes

[first lines]
Narrator: The heavens. Once an object of superstition, awe, and fear. Now a vast region for growing knowledge. The distance of Venus, the atmosphere of Mars, the size of Jupiter, and the speed of Mercury. All this and more we know. But their greatest mystery the heavens have kept a secret. What sort of life, if any, inhabits these other planets? Human life, like ours? Or life extremely lower in the scale? Or dangerously higher? Seeking the answer to this timeless question, forever seeking, ...
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Frequently Asked Questions

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User Reviews

 
nostalgia trip
19 January 2000 | by Robert D. RuplenasSee all my reviews

I was seven years old when I was taken to see this movie by my sixty-year old Lithuanian grandmother (to whom it must have made no sense at all). The images in the movie - the big green guys, the melting rock that looked like an explosion in a bubble gum factory, the people falling into the sand pit, the dreaded implant approaching the pretty neck of Dr. Blake, the little silver octopus-like guy in the fishbowl - all replayed themselves in my mind over many nights. I saw it again recently on AMC and can see many of the things that are dated, but can also understand why the movie made such an impact at the time. The concept, especially, of one's parents being taken under the control of evil forces is particularly disturbing to a young child. The music and sound effects, too, are particularly eerie. The almost abstract quality of the set in the police station scene lends it a foreboding quality. I'm ambivalent on how to rate it. It very much shows its age (and they could have shortened the stock army footage of tanks rolling) but has much that gives it a weird sort of drawing power even today. A curiously compelling movie.


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