This semi-film within a film opens in the office of producer George Jessel, who never saw a camera he couldn't get in front of, who is holding a story conference to determine the screen ...
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A family loses everything in the crash of 1929 except for their yacht. In order to make money, they rent out the yacht. A couple of guys feel sorry for the young maiden, who has everything ... See full summary »
Jim Wyngate, an English aristocrat, comes to the American West under a cloud of suspicion for embezzlement actually committed by his cousin Lord Henry. In Wyoming, Wyngate runs afoul of ... See full summary »
Cecil B. DeMille
At a Mayor's convention in San Francisco, California, ex-longshoreman Steve Fisk meets Clarissa Standish from New England. Fisk is Mayor of Puget City, and is proud of his rough and tumble ... See full summary »
Vice lord Dominic has brought Swifty Dorgan east to do a job for him. When Swifty appears to have died falling from a train, detective Henderson impersonates him hoping to get into the mob.... See full summary »
Edward F. Cline
Edward G. Robinson,
This semi-film within a film opens in the office of producer George Jessel, who never saw a camera he couldn't get in front of, who is holding a story conference to determine the screen treatment for the life of Eva Tanguay, and Jessel is unhappy with what the writers present him.He tells them to look up Eddie McCoy, Eva's one-time partner, for the real inside story on the lusty and vital Eva. Eddie's version is that he discovered her working as a waitress in an Indianapolis restaurant in 1912, wherein singer Larry Woods and his partner Charles Bennett get into a fight over her and both land in the hospital, and McCoy convinces the manager to put Eva on as a single to fill their spot. She flopped, but McCoy arranges for Bennett to be her accompanist, and she went out of his life. The writers look up Bennett, now head of a music publishing company, who says McCoy's story is phony, and it was Flo Zigfeld who discovered Eva for his Follies. Then Jessel's staff comes up with a letter from...Written by
Les Adams <firstname.lastname@example.org>
According to Mitzi Gaynor, the Italian Renaissance headgear she wears in "The Johnson Rag" sequence weighed fifteen pounds. See more »
(Opening) credits begin after a production number is interrupted because Eva Tanguay is performing badly ("Something's wrong"); we never find out what. Similarly, the end of the film injects a present-time character into the final flashback ("I wanted to see how it ended.") The End. See more »
In spite of its imperfections, the film contains one of the most inspiring performances of any song in any film. Mitzi Gaynor becomes Eva Tanguay, insists on coming out into the audience, hits a star quality personality in the song "I don't care" when she sings - "Let down the gangway, for I'm Eva Tanguay, and I - DON'T - CARE!!!" I have tried to find this on DVD, but it does not exist. CAn someone get this changed??? Does it exist on CD or MP3 anywhere? I believe that Judy Garland sang the song in the film "Good Old Summertime" but I can't find that either. I have been remembering this song for over fifty years now, which shows how memorable it is. Not many songs have this power to impress itself on the memory, and it is only because of the great performance of Mitzi Gaynor, who is apparently still going today with live performances!
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