Three New York models, Shatze, Pola and Loco set up in an exclusive apartment with a plan....tired of cheap men and a lack of money, they intend to use all their talents to trap and marry three millionaires. The trouble is that it's not so easy to tell the rich men from the hucksters - and even when they can, is the money really worth it?Written by
Col Needham <firstname.lastname@example.org>
In a gracious display of camaraderie, Lauren Bacall and Betty Grable decided not to fight with Marilyn Monroe. "Grable and I decided we'd try to make it easier for her," said Bacall, "make her feel she could trust us. I think she finally did." See more »
Loco is single, yet during the sequence when the girls are sleeping, she is wearing a wedding ring. See more »
We'd better put a check on that one. Nobody's mother lives in Atlantic City on Saturday.
See more »
I've Got a Feelin' You're Foolin'
Music by Nacio Herb Brown
Background music when Schatze, Pola and Loco are in the women's lounge See more »
a piece of fun ....
The film, the first filmed in CinemaScope, although the second to be released, remains as slick and witty as ever. While the three girls chase rich husbands they somehow end up marrying for love.
Personally for me it is Lauren Bacall and William Powell that standout...their witty knowing conversations are a true delight. Mr Powell shows just why he was so highly regarded. He has a magnificent calm and dignified presence beautifully complimented by Mrs Bogart's cool chic.
The film shows all the problems of early CinemaScope of course ...the lack of closeups because of optical distortions that would occur and enough light to sunbake under being necessary on the sets and a sound scheme with the stereophonic image shifting from side to side as characters moves across the screen.
The film is beautifully restored on the DVD with fine colour and sound.
The use of a 1:2.55 ratio means a truly WIDE screen ....which is shown off by the location shots of New York and the girls apartment which seems enormous!
The opening sequence/overture of course was designed to show off both the brand new wide screen and stereo sound. It seems slightly redundant now but is still a fabulous piece of music by Alfred Newman.
So turn the lights down, turn up the stereo and step back to 1953 and watch a consumate piece of entertainment
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