Three New York models, Shatze, Pola and Loco set up in an exclusive apartment with a plan....tired of cheap men and a lack of money, they intend to use all their talents to trap and marry three millionaires. The trouble is that it's not so easy to tell the rich men from the hucksters - and even when they can, is the money really worth it?Written by
Col Needham <email@example.com>
In a gracious display of camaraderie, Lauren Bacall and Betty Grable decided not to fight with Marilyn Monroe. "Grable and I decided we'd try to make it easier for her," said Bacall, "make her feel she could trust us. I think she finally did." See more »
The fur wrap that Pola picks up from the bed at the wedding party and drops on the floor is back on to the bed while she and Schatzie are talking. See more »
All my life ever since I was a little girl I've always had the same dream. To marry a zillionaire.
See more »
Ach, du Lieber Augustine
(ca 1768) (uncredited)
In the score during Loco's dream See more »
An over excited critic once wrote that seeing Monroe in Cinemascope was like being smothered in baked Alaska, and seeing this movie, you know exactly what he (I assume he was a he) was on about. The movie opens on the extreme verticals of New York skyscrapers and narrow city streets, then cuts to a wonderfully elongated horizontal Monroe streeeeeeeetched across the scene in an increasingly empty apartment (the girls sell their furniture to be able to pay the rent). This movie is dated and fluffy, but has several interesting elements that make it worth a look for anyone interested in movie history, any of the leads, or in passing a wet Sunday afternoon in a pleasant way. This was Grable's last performance. She knew Monroe was about to usurp her, but the two women both dealt with an uncomfortable situation in a professional way. There is a great narrative twist in the film too - Monroe plays a short sighted girl who finally meets the man to marry her when he tells her he likes her in her glasses. Unlike the usual cliched plot line, it is when Monroe keeps her glasses on that she is revealed to be beautiful. Her acting is this film is among her best, especially her vulnerable scene in the gold aeroplane, and the moment in the powder room when she looks at herself in the mirrors and explodes into five, raspberry satin dress covered Marilyn's is a visual pleasure the film and the viewer revel in (Monroe can't, not wearing her glasses at that point). This film is creamy, smooth, warm - just liked baked Alaska!!
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