Showgirls Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the suspicious father of Lorelei's fiancé, as well as a rich, enamored old man and many other doting admirers.
The titular river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
Three New York models, Shatze, Pola and Loco set up in an exclusive apartment with a plan....tired of cheap men and a lack of money, they intend to use all their talents to trap and marry three millionaires. The trouble is that it's not so easy to tell the rich men from the hucksters - and even when they can, is the money really worth it?Written by
Col Needham <email@example.com>
According to Lauren Bacall, Marilyn Monroe was a challenge to work with. It wasn't because she was unpleasant, but rather her insecurity and total dependence on her personal acting coach Natasha Lytess for approval: "Betty Grable was a funny, outgoing woman, totally professional and easy. Marilyn was frightened, insecure--trusted only her coach and was always late. During our scenes she'd look at my forehead instead of my eyes; at the end of a take, look to her coach, standing behind Jean Negulesco, for approval. If the head shake was no, she'd insist on another take. A scene often went to 15 or more takes, which meant I'd have to be good in all of them as no one knew which one would be used. Not easy--often irritating. And yet I couldn't dislike Marilyn. She had no meanness in her--no bitchery. She just had to concentrate on herself and the people who were there only for her." See more »
The flowers change position in the bedroom during the wedding party. See more »
I just had a wonderful opportunity to catch a screening of this film on a wide screen. What a treat!
Unfortunately, it wasn't the best print; lots of dust and scratches on reel changes, and the colors were quite faded, but these films simply must be seen on a wide screen with an audience to be truly appreciated. Of course, almost any movie is improved by seeing it at the Castro Theatre in San Francisco, and I consider myself fortunate to have had the opportunity.
Lauren Bacall has always been one of my favorite actors, and she and Powell do work wonderfully together. Monroe is also, always a delight - I think that she was a much better actress than she is generally given credit for. However, though I've seen this movie close to a dozen times before, I was really struck at the wonderful performance that Grable turned in. She was perfect! I haven't seen much of her other work, but in HTMAM, she shows herself to be a wonderful comedic actress, playing a "dim blonde" who really isn't that dim. What a revelation and what a delight.
I would definitely recommend this movie to anyone who likes old movies, but if you have a chance to catch it on a real movie screen - DO SO! You won't be disappointed.
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