Sawdust and Tinsel (1953) - News Poster


The Criterion Collection Announces 39-Film Ingmar Bergman Box Set

Tomorrow is the centenary of the birth of one of cinema’s greatest directors, Ingmar Bergman, and to celebrate, The Criterion Collection has announced of their most expansive releases ever. This November, they will release Ingmar Bergman’s Cinema, a 39-film box set comprising nearly all of his work, including 18 films never before released by Criterion. Curated akin to a film festival, the set features Opening, Centerpiece, and Closing Films, with many double features in between. The set also features 11 introductions and over five hours of interviews with the director himself, six making-of documentaries, a 248-page book, and much more.

As we await for its November 20 release, check out an overview from Criterion below, as well as the box art, the trailer, and the full list of films, in curated order. One can also see much more about each release and the special features on the official site.

With the
See full article at The Film Stage »

Movie Poster of the Week: The Best of Bergman

  • MUBI
Above: 1960 Us first release one sheet for A Lesson in Love (Ingmar Bergman, Sweden, 1954).Starting on February 7, The Best Show in Town may well be Film Forum’s Centennial Retrospective of the gargantuan six-decade oeuvre of Ingmar Bergman. 47 films over five weeks, 40 of them brand new digital restorations. Usually in these circumstances I gather as many posters as I can find from a filmmaker's career, but collecting posters for all of Bergman’s work would be a monumental task. And so I’ve decided to cut to the chase and select my ten favorite posters for his films.Most American posters for Bergman’s films—especially those from the 60s and 70s—are unusually wordy and quote-heavy, relying on critical acclaim to sell the latest product from the master. But, as much a visual stylist as a cerebral provocateur, Bergman has inspired many poster artists to great heights over the years.
See full article at MUBI »

New to Streaming: ‘Hail, Caesar!,’ ‘The Accountant,’ ‘Denial,’ and More

With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.

The Accountant (Gavin O’Connor)

That The Accountant is written by Bill Dubuque, the same man who gave us The Judge, makes so much sense, and about halfway through it becomes clear how far this film’s reach will exceed its grasp. Similar to the aforementioned Robert Downey Jr.-starrer from a couple of years back, The Accountant, starring Ben Affleck and directed by Gavin O’Connor, wants to be about everything.
See full article at The Film Stage »

Movie Poster of the Week: “Shadows” and the Posters of Hans Hillmann

  • MUBI
Above: 1968 Hans Hillmann poster for Shadows (John Cassavetes, USA, 1959).

There is an exhibition of the great German graphic designer Hans Hillmann currently running at the Museum Folkwang in Essen, Germany. Devoted entirely to Hillmann’s film posters from 1952 to 1974, the show, called The Title is Continued in the Picture, runs through the 1st of September and I’m sorry that I didn’t know about it sooner. But for those of us who can’t make it to the Ruhr in the next three weeks, the website Kunst + Film has posted a wonderful, almost-as-good-as-being-there video of the show.

The revelation of the video for me is the size of that Seven Samurai poster. Where most of Hillmann’s film posters are 33" x 23" (slightly smaller than a Us one-sheet), and the Cassavetes above is only 16.5" x 23", that glorious Seven Samurai is 93" x 132", or 11 feet wide.

While many of Hillmann’s witty,
See full article at MUBI »

Blu-ray Review: ‘Salmon Fishing in the Yemen’ Follows Feel-Good Formula

Chicago – “Salmon Fishing in the Yemen” is a romantic comedy so lightweight that it threatens to float off into the ether. It has perhaps the least gripping title since Ingmar Bergman’s “Sawdust and Tinsel,” which is strange since the rest of the production reeks of commercial calculation. Yet the film is based on Paul Torday’s book of the same name, so the studio must have considered the title marketable.

There’s perhaps no film more difficult to make than a good crowd-pleaser. It’s easy to manufacture phony uplift. The trick is for the director to guide an audience’s emotions in a way where they don’t feel manipulated. That’s where the element of surprise comes into play. If the audience is perched on the edge of their seats, while delighting in the character’s increasingly loony plight, they will likely embrace whatever the script has in store for them.
See full article at »

Competition: Win the Classic Bergman 5 disc box set on Blu-ray

Thanks to the home entertainment team at Artificial Eye, we have Three Blu-ray copies of the upcoming Classic Bergman 5 disc box set (released on 28 May) to give away to our world cinema-loving. The box set includes five Bergman classics: It Rains on our Love, A Ship Bound for India, Sawdust and Tinsel, Dreams and So Close to Life. This is an exclusive competition for our Facebook and Twitter fans, so if you haven't already, 'Like' us at or follow us @CineVue.

Read more »
See full article at CineVue »

This week's new film events

Studio Ghibli, London

If you've never stepped into the universes of Hayao Miyazaki and co, it's time you discovered what you're missing. These aren't just some of the best animated children's movies ever made; they'e some of the best movies full stop. The vibrant fantasy worlds, airborne adventures and noble junior heroes of Studio Ghibli's movies fascinate kids, but they're richer, more challenging and more psychedelically epic than most of what passes for grown-up fantasy. Avatar looks like Mr Men compared to, say, Princess Mononoke – which deals with similar themes with considerably more nuance. Having first championed them 10 years ago, the Barbican brings back Ghibli classics, from Laputa: Castle In The Sky and My Neighbour Totoro (the best one for young viewers), right up to previews of their latest, Arrietty, a version of The Borrowers.

Barbican Screen EC2, Wed to 31 Jul

Liverpool Arabic Fim Festival

Partly as a result of the Arab Spring,
See full article at The Guardian - Film News »

Susanne Bier to helm Bergman biopic

Danish director Susanne Bier ("Brødre," "Things We Lost In the Fire") will direct a four-part mini about the life of Swedish wirter/director/actor Ingmar Bergman for Sveriges Television (SvT) and the series will also be made into a feature film for theatrical release. Shooting starts in fall of 2011. SvT will produce. Gunnar Carlsson will serve as an executive producer and Christian Wikander as producer. Pic is budgeted at $12 million and is one of the most expensive projects SvT has ever taken part in. According to Variety, the mini is written by Swedish author Henning Mankell (married to Bergman's daughter Eva) and the first completed the first two episodes. The first is "Frenzy" and the second "Sawdust and Tinsel" - named after Bergman films.
See full article at »

Ingmar Bergman: 1918-2007

Ingmar Bergman: 1918-2007
Ingmar Bergman, the Swedish director considered one of the most influential and acclaimed filmmakers of modern cinema, died at his home in Faro, Sweden, on Monday; he was 89. The death was announced by the Swedish news agency TT and confirmed by Bergman's daughter, Eva, and Astrid Soderbergh Widding, president of The Ingmar Bergman Foundation, though an official cause of death was not yet given. Nominated for nine Academy Awards throughout his career and honored with the Irving G. Thalberg award in 1971, Bergman was cited as one of the greatest filmmakers of all time, with his bleak, unsparing yet highly emotional explorations of the human psyche and its relation to life, sex, and death, in both highly symbolic and intensely personal films; he most notably influenced Woody Allen, who considered him the greatest of filmmakers. His images ranged from the stark black-and-white of films like The Seventh Seal to those awash in dreadful reds such as Cries and Whispers and the holiday warmth of Fanny and Alexander, his last film for the cinema. Born in Uppsala, Sweden in 1918, Bergman was the son of a Lutheran minister, and religious imagery as well as the tumultuous relationship between his parents would pervade his work. Though growing up in an extremely strict and devout family, Bergman lost his faith at an early age and grappled with the concept of the existence of God in many of his early films. Bergman discovered the magic of imagery at the age of nine with a magic lantern, for which he would create his own characters and scenery, and this love of light and images brought him to the theater world after a brief stint at the University of Stockholm. Bergman worked in both theater and film throughout the 1940s, as part of the script department of Svensk Filmindustri and as a director and producer for numerous small theater companies. His first script to be produced was the 1944 film Torment, and began as a director with small movies that allowed him to hone his craft; among his notable earlier works were Prison, Summer Interlude, and Sawdust and Tinsel.

Bergman came to the fore of the international cinematic community with the 1955 film Smiles of a Summer Night, his classic melancholy comedy about the romantic entanglements of three 19th century couples during a weekend at a country estate. The film propelled him to stardom and won him a a Cannes Film Festival award for "Best Poetic Humor" (it was also later adapted by Stephen Sondheim into the musical A Little Night Music). He established his legacy and reputation with his next two films: The Seventh Seal, featuring the now-iconic imagery of Death playing chess with a tortured medieval knight (Max Von Sydow), and Wild Strawberries, the study of an aged professor (played by Victor Sjostrom) revisiting his youth and his darkest fears as he drives through the Swedish countryside. Both films were phenomenal critical and box office successes, with Wild Strawberries earning Bergman his first Oscar nomination, for Best Screenplay. Bergman's The Virgin Spring, the grim fable about two parents exacting revenge on their daughter's murderers, won the Best Foreign Language film Oscar in 1961. He followed up that film with a trilogy of films -- Through a Glass Darkly (another Foreign Language Film Oscar winner), Winter Light and The Silence -- in which he grappled most powerfully with his lack of faith and belief in the power of love.

Making as many failures as he did successes, Bergman found favor with a number of films throughout the 1960s and 1970s, including the now-famous Persona, Hour of the Wolf, The Passion of Anna, Cries and Whispers (a nominee for Best Picture), Scenes from a Marriage, The Magic Flute, and Autumn Sonata. Throughout his films he used an ensemble of actors, most notably Max von Sydow, Gunnar Bjornstrand, Ingrid Thulin, Bibi Andersson, Harriet Andersson, Erland Josephson and Liv Ullman, with whom he had a personal relationship and a child. He also almost always worked with the legendary cinematographer Sven Nykvist, who won two Oscars for Cries and Whispers and 1982's Fanny and Alexander. It was that latter film that Bergman declared to be his final cinematic work, an intimate portrait of brother and sister set in early 20th century Sweden that was originally conceived as a four part TV film, and was released in the US at a truncated 188 minutes. It won four Oscars, including Best Foreign Language Film. Though he officially "retired" from the film industry after Fanny and Alexander, Bergman made films for Swedish television, continued to direct theatrically (including a version of Hamlet in Swedish that traveled to the US) and wrote screenplays that were filmed by other directors, including Bille August, Bergman's son Daniel, and actress and former lover Liv Ullman. His last work as director was Saraband, a revisitation of the two lead characters (Ullman and Jospehson) from Scenes from a Marriage. Bergman was married five times, and his fifth wife, Ingrid von Rosen, passed away in 1995. He is survived by nine children from his past marriages and relationships. At press time, a funeral date had not yet been set. --Mark Englehart, IMDb staff

Filmmaker Sven Nykvist Dies

  • WENN
Oscar-winning filmmaker Sven Nykvist, who was legendary director Ingmar Bergman's cinematographer of choice, has died. He was 83. Nykvist died on Wednesday at a nursing home where he was being treated for aphasia, a form of dementia, according to his son, Carl-Gustaf Nykvist. The film-maker won Academy Awards for Best Cinematography for the Bergman films Cries And Whispers in 1973 and Fanny And Alexander in 1982. Nykvist's sense of lighting and camera work made him a favorite of Bergman's after their first collaboration on the 1954 movie Sawdust And Tinsel, which began a partnership that lasted nearly 30 years. He also worked on fellow Swede Lasse Hallstrom's film What's Eating Gilbert Grape and did several movies with Bergman fan Woody Allen. Nykvist's wife Ulrika died in 1982. In addition to his son, he is survived by his daughter-in-law, Helena Berlin, and grandchildren Sonia Sondell and Marilde Nykvist.

See also

Showtimes | External Sites

Recently Viewed