Showgirls Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the suspicious father of Lorelei's fiancé, as well as a rich, enamored old man and many other doting admirers.
When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
The titular river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
Lorelei and Dorothy are just "Two Little Girls from Little Rock", lounge singers on a transatlantic cruise, working their way to Paris, and enjoying the company of any eligible men they might meet along the way, even though "Diamonds are a Girl's Best Friend." Based on the Broadway musical based on the novel.Written by
Stewart M. Clamen <firstname.lastname@example.org>
Marilyn Monroe kept insisting on retakes despite approval of takes by director Howard Hawks. When Fox asked Hawks how production could be sped up he retorted: "three wonderful ideas: Replace Marilyn, rewrite the script and make it shorter, and get a new director." See more »
As Dorothy and Lorelei walk to their dressing room after the "Two Little Girls From Little Rock" number, Lorelei removes her hat with her right hand. When they enter the dressing room, Lorelei's hat is in her left hand. See more »
Someone broke my heart in Little Rock, So I up and left the pieces there, Like a little lost lamb I roamed about, I came to New York and I found out
Lorelei Lee, Dorothy Shaw:
That men are the same way everywhere...
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Howard Hawks tackles a Broadway show and Marilyn Monroe.
As a demonstration of Hawks' versatility, this picture stands out. It's anything but a faithful adaptation of the Anita Loos story, but in Hawks skilled hands, it's as delightful and silly as his best screwball comedies, and an evocative example of the sexpot exploitation prominent in it's day. Monroe and Russell complement each other nicely as glamour babes beyond belief. The flamboyant musical numbers are deliriously fetishistic and there are some particularly hilarious bits involving a hoarse-voiced little boy and a dirty old man. Sensationally staged and provocatively primitive.
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