Showgirls Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the suspicious father of Lorelei's fiancé, as well as a rich, enamored old man and many other doting admirers.
The titular river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
Lorelei and Dorothy are just "Two Little Girls from Little Rock", lounge singers on a transatlantic cruise, working their way to Paris, and enjoying the company of any eligible men they might meet along the way, even though "Diamonds are a Girl's Best Friend." Based on the Broadway musical based on the novel.Written by
Stewart M. Clamen <email@example.com>
According to Marni Nixon, the studio initially wanted Marilyn Monroe's entire voice dubbed, as they thought her voice was silly. Nixon thought that was "awful", as she felt Monroe's voice suited her persona so beautifully. Nixon told The New York Times in March 2007 that she ended up only dubbing the operatic "no, no, nos" at the beginning of the song and the phrase "these rocks don't lose their shape". See more »
The "Two Little Girls From Little Rock" number ends with Dorothy near stage right and Lorelei near stage left. As the girls leave the stage, Dorothy is near stage left and Lorelei is near stage right. See more »
If we can't empty his pockets between us, then we're not worthy of the name Woman.
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Under Howard Hawks' direction Marilyn was a sexual delight striking, in one of her numbers, a 'Gilda' pose
Marilyn's "Gentlemen Prefer Blondes" was one of the classic musicals of the 1950's... She comes into it looking like a winner, and leaves as one The picture has been set fully by the tone of her personality Her personality infuses every corner of the film as if she has even picked the scenery to work for her
The movie rises above its pretext, its story, its existence as a musical, even its music, and becomes at its best a magic work, yet it is a light-hearted satire of the old adage that when a woman goes bad, men go right after her
The film crowned Monroe in her position as the nation's new 'Love Goddess' with the promise of many sparkling hits to come, and Jane Russell's career continued, with less fanfare, but very successfully for several more years
The story was simple: Dorothy (Jane Russell) and Lorelei (Marilyn Monroe) work together as entertainers and are also good friends Lorelei's millionaire fiancé Gus Esmond (Tommy Noonan) sends the girls to France, but his father (Taylor Holmes) hires a private detective, Malone (Elliott Reid) on the same boat to spy on her during the trip When the three meet, Dorothy falls for Malone, much to the chagrin of Lorelei, who cannot understand Dorothy's indifference to men with money
On board, the girls get into trouble when they meet an old playboy Francis Beckman (Charles Coburn), a diamond merchant
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