Two days in the life of priest Father Fred Stadtmuller whose New Mexico parish is so large he can only spread goodness and light among his flock with the aid of a monoplane. The priestly ... See full summary »
A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
A space-opera spanning the dawn of man to humanity reaching the stars, 2001: A Space Odyssey tells the story of the Black Monolith, humanity's evolution and the rise of A.I.'s ultimate supercomputer HAL 9000.
A ficticious war in an unidentified country provides the setting for this drama. Four soldiers survive the crash-landing of their plane to find themselves in a forest six miles behind enemy lines. The group, led by Lt. Corby, has a plan: They'll make their way to a nearby river, build a raft, and then, under cover of night, float back to friendly territory. Their plans for getting back safely are sidetracked by a young woman who stumbles across them as they hide in the woods, and by the nearby presence of an enemy general who one member of the group is determined to kill.Written by
Eugene Kim <firstname.lastname@example.org>
Sidney's story is a retelling of "The Tempest" by William Shakespeare. The song he sings later on, beginning "Full Fathom Five", comes from Act 1, Scene 2 of the play. See more »
The shots of the dead girl show her either with her face three-quarter turned to the ground (close shot) or with her face looking straight out to the side (long shot). This may be deliberate due to the surreal nature of the scene, namely the mental state of her killer. See more »
Once you understand how a mousetrap works, if you're clever enough, you can use it as a springboard.
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I'm seeing every Stanley Kubrick feature film in order, and began with his most disliked 'Fear and Desire'. I've heard some awful things about it, but considering the very limited resources to make it, a viewer can easily notice the unlimited potential of the man behind the camera. Fear and Desire has genius that can't be tapped with the restraints had.
It's a war film- with no names. Just soldiers behind enemy lines, wanting to get back and the problems they encounter. There's a certain Shakespearean quality about it- the characters give short monologues about their feelings and morals that aren't grounded in reality. There are some good lines, and some absolutely terrible ones, and some that seem too philosophical for their own good. These lines are delivered by actors pushing melodrama: Sidney goes nuts, but unreasonably. Then there's the technical faults: it's a mess, with some sloppy editing. Again though, there were budget constraints that any full-fledged director could work around.
Kubrick made a thinking film, but it has some poorly communicated ideas. Is this idea that war pushes men past their extremes? There isn't anything horrifying about what the men go through. It seems that while he could later create some of the best war films ever, they are very difficult to make as a first picture/ They just need more money to make. Seeing this reminds me of a much later debut, Reservoir Dogs. Both share similarities of a few characters in isolation, and auteurs behind the camera.
A strong aspect of Fear and Desire is its music, which helps some of the more tense scenes. The plot is good and doesn't linger- the film is around an hour long. It's not as bad as I heard, and lays the groundwork for later Kubrickisms: war and thematic material. Filled with potential. 6.5/10
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