Easy to Love

Although critics constantly gripe that Esher Williams could not act this movie lore is absolutely nonsense. Most of her films were slight escapist fare that called for her to display her sparkling light comedic touch which she showed over and over in hit after hit throughout the forties and fifties. WHen allowed to play more dramatic roles like "Million Dollar Mermaid"(MGM,1952) and most superbly in the underrated "The Unguarded Moment"(Universal,1956) she was very fine indeed but the rumor persists. But I will say it is in delightful musical confections like "Easy TO Love"(MGM, 1953) that she remained a top box-office star. Her chemistry with Van Johnson was always there. This was their fifth film together: their first was in Victor Fleming's dramatic fantasy "A Guy Named Joe"(MGM,1943) in support of superstars Spencer Tracey and Irene Dunne but this film made both stars; the empty but hugely successful "Thrill of a Romance"(MGM, 1945); certainly holding their own opposite the marvelous Lucille Ball in the charming and extremely popular "Easy to Wed"(MGM, 1946); and finally the solid hit "Duchess of Idaho"(MGM,1950) which allows Esther and Van to sparkle. But it is their last film "Easy to Love" that captures Esther and Van at their most captivating. The story is the usual fluff about fighting ex-lovers and is topped off with spectacular Busby Berkeley production numbers but all this is wrapped up in a witty script and the superb comic performances of Miss Williams and Mr. Johnson who were never better. Sad to say both their careers declined after this success.

I liked seeing "Easy to Love" because it showed a part of Florida history that is now gone. Cypress Gardens was a premier destination in Central Florida up until Disney opened the Magic Kingdom in 1971. Following this, it was a steady decline until a few years ago when the property was bought by Legoland. I know that things change and I probably wouldn't have even liked Cypress Gardens but it is a shame that so much of the 1950s and 60s kitsch in Florida is gone--and this film is at least a nice chance to see a bit of it.

The film stars Esther Williams as the premier star of the theme park, Julie. Her boss, Ray (Van Johnson), is not an easy man to like--he's all business and seems more content to exploit this star than anything else. Yet, inexplicably, Julie secretly loves him. I frankly saw NOTHING about the man that would make anyone fall for him. Laer, tiring of this seemingly pointless love, she begins spending time with a famous singer, Barry Gordon (Tony Martin). He at least says he loves her, though he is a playboy. In addition to these guys is Hank (John Bromfield)--a nice guy who works at the park and who openly and repeatedly tells her he loves her....plus he's rich. Of the three, the choice is obvious....Hank. However, considering that John Bromfield is not exactly a star, it's obvious he hasn't a prayer in the world. So who does she pick? See for yourself. Just be forewarned--it's a HUGE step backwards for women and I would hate to see my daughters pick a guy like that! As a romance, the film was definitely lacking. But, it was fun, a bit silly (in a good way--offering the most ridiculously over the top scenes of Williams doing the water stunts), and I liked Tony Martin's singing (particularly "That's What a Rainy Day is For"). Worth seeing if you like the old fashioned Hollywood musicals of the 50s--though I do suspect that a lot of younger folks today would find them all awfully silly.

By the way, at the very end, look for a cute little cameo between Martin and Cyd Charisse--Martin's real-life wife.

Easy to Love may yet when the definitive history of film is written to be Busby Berkeley's ultimate triumph. No longer confined by a motion picture sound studio, Berkeley stages a water ballet finale that is probably his ultimate fantasy number.

I have no doubt that somebody at MGM got together with someone at Florida's Cypress Gardens and decided to make a film promotion of the place. In essence that's what you have here. MGM shot the whole thing down there in Florida and the technicolor photography is spectacular.

When MGM did its compilation film That's Entertainment it was also mentioned that for one and one star alone did that studio construct a sound stage just for her. That would be Esther Williams, swimming star and movie star.

Esther's place at MGM was something akin to Sonja Henie's at 20th Century Fox. A sports star who was already a celebrity before becoming an actress, Esther because the Olympics of 1940 was canceled did not quite have the clout Henie did when dickering with the MGM brass. Yet Esther was as good a businesswoman as Henie and MGM did quite all right by her in marketing her to the public. She does some numbers in the tank, but that finale is something else.

For those of you who have only seen the finale because of That's Entertainment, the story is three guys and Esther and who she will choose. Her choice is her boss at Cypress Gardens Van Johnson, nightclub singer Tony Martin, and her swimming partner John Bromfield.

Tony Martin sings the Cole Porter classic title tune and several other numbers, the best of which is one sung with a chorus of senior citizens and Esther, That's What a Rainy Day is For. I particularly like that one it's perfectly suited to Martin's style. Besides the finale Esther a very cute number dressed in a clown get up with a seal and chimpanzee and a mechanical alligator. According to her memoirs they were among her most memorable co-stars.

I think it's unfortunate that Easy to Love did not utilize the musical talents of Van Johnson. He was signed by MGM in fact after he was spotted in the cast of Broadway's Too Many Girls. Of course he was no match for Tony Martin as a singer, but in films like Till the Clouds Roll By and Brigadoon he more than held his own. In fact MGM should have used him more in musicals generally than they did.

And for we who appreciate these things there's the sight of John Bromfield who spends most of the film in a bathing suit.

Easy to Love is quite the spectacle and real easy to take.

What's good: beautiful Esther Williams. Enough can't be said about this. She was positively radiant the entire film. No actress brought technicolor to life like Esther Williams. Tan, fit, gorgeous Esther. Also the great Busby Berkeley aquatic numbers. Esther Williams plus Busby Berkeley equals a win every time.

What's bad: the men. Unfortunately, Esther is saddled with rather poor love interests here in Tony Martin and Van Johnson. There's no great chemistry to be had with either but Martin tries his soggy best. I definitely felt like he was attracted to Esther, although in a kind of scuzzy greaseball sort of way. He also has several terrible songs. MGM was pushing him extra hard in this. He wouldn't stop singing those terrible songs! I like Van Johnson but he's as exciting a male lead as a wooden plank. So bland and colorless. Esther really had some crappy choices here.

Honestly it's not one of the greats. The plot of Esther wanting Van but all he thinks about is business so she tries to make him jealous with Tony is pretty flimsy and the romance is blechh. But see it for the stunning Esther Williams in technicolor and the wonderful production numbers choreographed by the great Busby Berkeley.

That line was first said by Van Johnson to Esther Williams near the start of film when he invites her to go to NY with him. Cut to scene at NY photography session where, after one of many photo shoots, Esther repeats "fun, nothing but fun" sarcastically to Van since his promise to make their trip to NY fun turned out to be more work. Next line, also funny: Van: "most girls would cut off their arm to be in your position". Esther: " this girl would like to cut your throat." I love how Esther loathes Van for never letting her have any time on her own terms. I mean, I would love to have a job where I get to waterski, pose for pictures, and swim in idyllically beautiful waters surrounded by flowers and beautiful music. But I can also understand Esther's feelings about not having any time on her own terms, and Van is smarmy and controlling here.

Then Esther meets Tony Martin. They fall head over heels in love during the photo session, then Esther watches Tony sing at a club with several beautiful girls that also work with him, "Didja ever", a cute, catchy song. Tony later (againced Van's will because he wants her to rest up for the grapefruit contest the next day, lol) takes Esther out drinking and dancing all night. She is totally in love with him now. He hooks her up with a swimming audition the next morning and a job offer working with him. I'd love to know the name of that piano piece playing during her audition swimming, it was beautiful. The song and Esther. I also like a number of different funny, quirky comments made throughout the film such as: Esther saying " 10:30 darling" by accident to the elevator operator cause Tony just told her "10:30 darling" about their next meet up, Esther talking to bubbles in glass of champagne after ditching Van to be with Tony " feels good to be free, doesn't it?", then she loathfully repeats Van's "fun, nothing but fun." Then Van asks Esther where she was all night, Esther tells him the truth about being with Tony. Van says "come on now, tell me the truth". Esther sarcastically says "I went swimming in Central Park, they threw pennies at me and I threw grapefruit at them". I loved that last one. Van kept trying to get her to that grapefruit convention that she was so unenthused about going to. Esther also has had relations with Hank, who Esther does a water ballet with surrounded by lots of flowers. I loved that piece of music played during that sequence. Also Tony's "lookout, I'm romantic", " little croquette" (with his beautiful girls again. Listen to the style of the music there, you can hear how the music style is slowly transitioning over from 30s and 40s swing style over to more almost 60s style almost like you'd hear on "Bewitched")."That's what a rainy day is for" (Tony dancing with a group of senior citizens) is also nice. Then we get the fabulous water ski sequence with Esther and many other water skiers played to a great tune and is visually fascinating. This is one of a number of wonderful esther water ballets. My other favorites are in "Bathing beauty", " This time for keeps", and "Million dollar mermaid". I'm not gonna add any spoilers here, because my reason for subtracting a couple points, I wouldn't be able to tell you why without a spoiler.