Dr. Patrick "Pat" J. Cory is researching brains with his assistant and friend Dr. Frank Schratt and his wife Janice Cory through experiments with monkeys in a laboratory in his house. When ...
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Dr. Patrick "Pat" J. Cory is researching brains with his assistant and friend Dr. Frank Schratt and his wife Janice Cory through experiments with monkeys in a laboratory in his house. When an airplane crashes nearby his house, there is only one near-death survivor, the millionaire Warren H. Donovan that is brought still alive to his care. However Donovan dies and Dr. Cory decides to use his brain in his experiment keeping it alive in a tank. Pat, Schratt and Janice research about the life of Donovan and they discover that he was a ruthless and evil man. Soon Donovan's brain imposes his personality to Dr. Cory and possesses him to get rid of his enemies and to live again in his body. Schratt and Janice sees the transformation of Dr. Cory and plan to destroy the brain. Will they succeed in their intent?Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The sign on the door of the attorney's office includes a "B. Chapman, CPA." Ben Chapman was the film's production supervisor. See more »
At one point, Frank (Gene Evans) states "Pat made that recording while the brain was destroying Yocum." However, in the final edited version of the movie, Pat (Dr. Cory, played by Lew Ayres) makes his recording several days before Yocum is killed. See more »
Well-crafted sci-fi with minimal special effects. Of course, the premise of a disembodied brain taking thought control of its master has kicked around more than a few times. However, this is arguably the best version, thanks to a tight screenplay and a fine central performance. Ayers must go from nice guy doctor to tyrannical business tycoon whenever the evil brain takes control. And he does both in highly convincing fashion—sure a long way from young Dr. Kildare. Nancy Davis (Reagan) also delivers as the loyal wife. Her films may never have been very distinguished, but she was always a credible low-key performer. Note also that usual tough guy Gene Evans gets the thankless "Igor" role as the lab assistant.
I guess I could have done with fewer close-ups of the pulsating brain. Unfortunately, the effect comes across in fairly hokey 50's fashion. Then too, that all-out thunder and lightning sequence amounts to more than just a storm. Instead , it looks more like a rage in heaven, like someone above is really angry at what's going on below. The heavy-handed theatrics is really out of sync with what's gone before. Despite the two drawbacks, the overall result is better than expected, thanks to the A-grade performances in a B-grade movie.
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