Beaurefard Clemment, a New York night club crooner, inherits a broken-down Georgia showboat. He decides to turn it into a nightclub. He falls in love with Sally Jane, the granddaughter of ...
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Chivo, a singer who works in a movie theater providing live entertainment, is and apprehended by a music-loving Mexican bandit Braganza who wants to make Chivo part of his band. Braganza, who admires American gangsters, also kidnaps Jane and her rich boyfriend, Bill. to become more like the American movie gangsters he admires.
Beaurefard Clemment, a New York night club crooner, inherits a broken-down Georgia showboat. He decides to turn it into a nightclub. He falls in love with Sally Jane, the granddaughter of Thadeus Jackson, arch enemy of Beau's late grandfather. Many, many songs and a parody of "Ten Nights in a Barroom" (a Blake Edwards touch), with music featuring the Bell Sisters.Written by
Les Adams <firstname.lastname@example.org>
Dick Haymes sings an assortment of standards and new songs, inherits a riverboat, courts Audrey Totter and feuds with her grandfather, Cecil Kellaway, in this very pleasant, low-key musical.
It's directed by Richard Quine and scripted by Blake Edwards and Quine; the two of them did very well out of their work and you can see why. Although Mr. Haymes is a very pleasant performer -- he even does a bit of soft-shoe a couple of times -- with a dazzling smile, Billy Daniels blows him away with his simple line readings and lively singing (although cameraman Charles Lawton Jr. favors Mr. Daniels with lively crab-dolly work and no cuts during his numbers). It's good to see Audrey Totter in a good-girl role.
In fact, that's the basics of this movie: every performer in his or her comfort zone and doing fine. Far more than good enough.
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