The Big Heat (1953)

Tough cop Dave Bannion takes on a politically powerful crime syndicate.

Director:

Fritz Lang

Writers:

Sydney Boehm (screenplay), William P. McGivern (Saturday Evening Post serial)

Stars:

Glenn Ford, Gloria Grahame, Jocelyn Brando

2 wins & 1 nomination.

Cast

Cast overview, first billed only:
Glenn Ford	...	Dave Bannion
Gloria Grahame	...	Debby Marsh
Jocelyn Brando	...	Katie Bannion
Alexander Scourby	...	Mike Lagana
Lee Marvin	...	Vince Stone
Jeanette Nolan	...	Bertha Duncan
Peter Whitney	...	Tierney
Willis Bouchey	...	Lt. Ted Wilks
Robert Burton	...	Gus Burke
Adam Williams	...	Larry Gordon
Howard Wendell	...	Commissioner Higgins
Chris Alcaide	...	George Rose
Michael Granger	...	Hugo
Dorothy Green	...	Lucy Chapman
Carolyn Jones	...	Doris

Storyline

Dave Bannion is an upright cop on the trail of a vicious gang he suspects holds power over the police force. Bannion is tipped off after a colleague's suicide and his fellow officers' suspicious silence lead him to believe that they are on the gangsters' payroll. When a bomb meant for him kills his wife instead, Bannion becomes a furious force of vengeance and justice, aided along the way by the gangster's spurned girlfriend Debby. As Bannion and Debby fall further and further into the Gangland's insidious and brutal trap, they must use any means necessary (including murder) to get to the truth.

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Plot Keywords:

murder | suicide note | scalded face | disfigurement | corruption | 

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Taglines:

Somebody's going to pay ...because he forgot to kill me...

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Genres:

Crime | Film-Noir | Thriller

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Certificate:

Not Rated

Details

Country:

USA

Language:

English

Release Date:

6 December 1953 (Japan)

Also Known As:

Heißes Eisen

Filming Locations:

Columbia/Sunset Gower Studios - 1438 N. Gower Street, Hollywood, Los Angeles, California, USA

Box Office

Gross USA:

$2,725,000, 31 December 1953

Company Credits

Production Co:

Columbia Pictures Corporation

Technical Specs

Runtime:

89 min

Sound Mix:

Mono (Western Electric Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Listen carefully for the theme song from "Gilda", a film which was pivotal to Glenn Ford's career seven years before "The Big Heat" was made. It is played as Ford is departing from a bar near the end of this movie. Director Fritz Lang slyly inserts "Put the Blame on Mame", which was famously sung by a stunning Rita Hayworth in the earlier movie.

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Goofs

When Dave Bannion is conversing with the commissioner and things get heated, the commissioner asks Bannion, "Just what are you inferring?". This is a common mistake, because Bannion was not inferring anything; he was 'implying' - it was the commissioner who was inferring.

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Quotes

Debby Marsh: Vince threw hot coffee in my face. I'm gonna' be scarred. The whole side of my face will be scarred.
[breaks down sobbing]

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Connections

Referenced in The Godfather (1972)

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Soundtracks

Put the Blame on Mame
(uncredited)
Written by Doris Fisher and Allan Roberts
Heard instrumentally during one of the scenes at The Retreat

User Reviews

big steaks, big spuds, big heat

This punchy little noir moves along at brisk clip. Glenn Ford simmers the whole time like a boiling kettle about to blow . This man has no pleasures that are obvious except his Westinghouse wife and child. Lee Marvin barely maintains control for much of the film. He is a catalogue of evil and greedy excess. Gloria Grahame is marvelous, witty, beautiful, bitter beyond hope. There is no redemption to be had for most of the characters in this sordid little universe. Conspiracy theorists of the 21st century will look back at the kind of simple-minded corrupt worldview espoused by Lang in this and other films and lament its loss. In THE BIG HEAT, evil and rot have names and faces and with enough fortitude, and the willingness to lose everything, they can be conquered. At least for a day. We know today that the whole infrastructure of power is poisoned beyond repair. The fifties held out a modicum of hope. Brief, fleeting hope. This is a violent film. Others have commented that much of the horror is committed off screen. But you can easily imagine it. Lang doesn't pull many punches here. The treadmill of denouement speeds up rapidly in the last few sections of the film. After viewing a film like THE BIG HEAT, I often want to wander down some dark street and find a corner diner, something like the one portrayed in Hoppers's NIGHTHAWKS, and have a cup of java, listen to some Brubeck on the jukebox, and wait for someone to come in from the chilly street . But the diners in my neighbourhood are either in the middle of the block or close early because of street crime. So I stay home, have a cup of tea, and dream noirish thoughts half asleep on my couch. This is a fine entry into the film noir lexicon.