A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Dave Bannion is an upright cop on the trail of a vicious gang he suspects holds power over the police force. Bannion is tipped off after a colleague's suicide and his fellow officers' suspicious silence lead him to believe that they are on the gangsters' payroll. When a bomb meant for him kills his wife instead, Bannion becomes a furious force of vengeance and justice, aided along the way by the gangster's spurned girlfriend Debby. As Bannion and Debby fall further and further into the Gangland's insidious and brutal trap, they must use any means necessary (including murder) to get to the truth.Written by
Upon initial release Modern Screen magazine described this as a 'Family Film', an obvious error. See more »
When Dave Bannion brings Debby Marsh back to his room, she fluffs up two pillows, one on top of the other, against the backboard of the bed, and then lies down with her back resting against the pillows and begins talking. There is a sudden cut and then Debby is shown with the upper pillow now dropped off to one side. See more »
All any of these dames owe me is a night's work, one night at a time. They come and go like flies.
Only this fly got herself strangled.
These things happen, Sergeant. Outside of my place, some of these babes keep pretty shady company. It figures. They know nobody cares much what happens to 'em.
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Normally, when I think of Film Noir, I DON'T think about Glenn Ford. Yes, he did a few, but his personality always seemed a little too "nice" to play in these gritty films. I was very pleasantly surprised then, when I saw this movie. Ford is an honest cop in a very crooked town. However, when the mob attacks and nearly kills him (killing his wife instead), he "pops a fuse" and becomes a very tough cop who won't take NO for an answer. I loved watching him slap people around and threaten his way to the top of the syndicate, as, with his life in ruins, he had nothing to lose.
Along the way, the headstrong Ford encounters a lot of amazing characters--all played exceptionally well. In particular, a young Lee Marvin gives perhaps his best supporting performances as a hood who has a penchant for beating up women. In one scene, he nearly breaks a bit actress' arm (and it happens to be Carolyn Jones in a performance before she was famous). In another scene, he throws scalding hot coffee in the face of his girlfriend, Gloria Grahame. It was so brutal and realistic, I flinched and found my stomach churning at its ferocity and cruelness. As for Miss Grahame, she plays the sort of excellent role she became known for--a "dame" who, down under layers and layers of scum, beats a real human heart.
Wonderful performances, terrific pacing and excellent writing make this one film well worth seeing and as a result, it's one of the best examples of Film Noir out there and a great example of a film about a cop who's seen enough and is on a rampage. This is probably Glenn Ford's best performance.
FYI--In what appears to be a cool inside joke, in one of the scenes where Ford is in the bar, the song "Mame" is playing in the background--the same song made so memorable by Rita Hayworth in GILDA--a Glenn Ford film from 1946.
Also FYI--I recently saw this film for the second time. I rarely watch films twice, but this one impressed me so much the first time, I couldn't resist. The film was, believe it or not, better the second time around and I noticed so many wonderful Film Noir touches that I truly love this movie.
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