Aida, featuring the actress Sophia Loren, is a film adaptation of a theatre performance written by Verdi. The plot revolves around the character Radames who falls in love with what he ...
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Sophia Loren plays a dual role, as both the sultry Queen of the Nile with a "man-a-night" appetite and a beautiful slave girl who takes her place and is wooed by a bodyguard who thinks she's the real monarch.
When young and attractive Lina Stroppiani, a thief like the rest of her family, tries to steal the taxi of Paolo, together with two accomplices, she can't possibly know that this will have ... See full summary »
Vittorio De Sica,
Aida, featuring the actress Sophia Loren, is a film adaptation of a theatre performance written by Verdi. The plot revolves around the character Radames who falls in love with what he thinks is a slave in a country his armies has conquered. The young woman is actually the daughter of the leader he ousted.Written by
On paper this looks like a dream of an opera. The voices of Tebaldi and Campora being mimed by Loren and Della Mara on a big screen production, its just got to be sublime, hasn't it? Unfortunately it fails miserably. Loren is simply lost in her role;Tebaldi would have been far better but I suspect she had read the final draft of the screen play, and Della Mara looked more toy-boy than rugged hero. Wait! there is still Verdi's music allied to those wonderful voices,yes they are there if you like your opera in snatches and excerpts, but if not you will quickly lose patience. For example I just happen to believe that one of the most glorious pieces of music is the Nume custode in the first act of Aida. Radames is in the temple and receives the sword and insignia which he dedicates to Ra for the forthcoming battle. The scene is a magnificent Bass-Tenor-Chorus ensemble; opera at its finest. Do not look for it in this film, it is cut, no tenor no chorus just a perfunctory handing over of the sword. Here you are son- Cheers guvnor. No this will not do, it is pretty dire stuff for any poor soul who thinks this might be a half decent stab at bringing opera to the screen
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