Harry and Willie buy the Edison Movie Studio in the year 1912 from Joseph Gorman, a confidence man. They follow Gorman to Hollywood where, as stunt men, they find him directing movies as Sergei Trumanoff and stealing the studio payroll.
A pair of bus drivers accidentally steal their own bus. With the company issuing a warrant for their arrest, they tag along with a playboy on a boat trip that finds them on a tropical island, where a jewel thief has sinister plans for them.
Two volunteer firemen rescue a gold prospector from suicide. However, once they discover that the police mistakenly want them for murder, they travel with the prospector to Alaska to help ... See full summary »
Lou Costello plays a country bumpkin vacuum-cleaner salesman, working for the company run by the crooked Bud Abbott. To try to keep him under his thumb, Abbott convinces Costello that he's ... See full summary »
Slim and Tubby are American cops in London to study police tactics. They wind up in jail and are bailed out by Dr. Jekyll. Jekyll has been murdering fellow doctors who laugh at his experiments. He has more murders in mind. At one point the serum that turns Jekyll into the murderous Hyde gets injected into Tubby.Written by
Ed Stephan <firstname.lastname@example.org>
Admittedly inferior to their arguably best "Meet" film ABBOTT AND COSTELLO MEET FRANKENSTEIN five years earlier during their golden age, this was easily the best of their films in their declining years of the early to mid fifties.
The boys play a pair of NY cops on a work-experience exchange in Victorian London. They are soon on the trail of the diabolical MR HYDE (played on and off by Karloff) having already met Dr Jekyll in "polite society"
The story makes for some top comedic moments for Bud and Lou. The climactic chase after Lou is turned accidentally into a mouse is funny stuff. And thats all this is - funny stuff. A few reviewers here have gotten themselves into the psychology of the characters and seem miffed in the extreme at the liberties taken with R L Stevenson's original characters. Live with it...this was a highly watchable comedy and should be viewed upon the impact it made in 1953 NOT the new millennium.
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