Squeezed between Mexico and the Denbow family lands lies the U.S. government free grazing land but the incoming settlers cannot reach it without trespassing on the Denbow property which is defended by an army of Denbow cowhands.
In 1947, with only months remaining until the partition of British-administered Palestine, an American freighter captain smuggles European Jewish refugees ashore under the nose of the British authorities.
Virgil Renchler owns most of the town providing a thriving economy. When his men go too far and kill one of his migrant workmen, the sheriff goes after him even if it means his job and everyone else's.
When Cochise bands together with Geronimo and other Indian tribes, Major Colton abandons his fort, heading towards Fort Sheridan, through Apache Pass. The only thing in his way are the Indians he used to call his friends.
A United States Navy ship in the first half of the 19th century, under the command of Captain David Porter, is expecting to put ashore after a year on the seas; but the arrival of one of Porter's ex-students, the willful and independent Lieutenant David Farragut, brings a new mission: to disguise the ship and crew as a pirate ship and help the Navy locate the criminals who have been robbing America's merchant fleet. But as Farragut's disobedience threatens the safety of the crew, they stumble upon an international conspiracy.Written by
Gary Dickerson <firstname.lastname@example.org>
While Errol Flynn (I) was recovering from a broken ankle while filming Against All Flags (1952), Universal-International took advantage of the standing sets for that film by putting together this modest epic during the hiatus. See more »
Canon were secured against rolling across the decks. The scene where Flint is pinioned by the loose cargo, barrels, and rolling canon would not have happened. See more »
Chief Petty Officer Link:
[Speaking of Porter]
As an instructor it was his job to chew midshipmen off, and just between us, you gave him plenty of cause.
Lt. David Farragut:
When a man's religion is the book of Navy regulations, he gotta be sour inside, and your captain's a very sour man, Mr. Link.
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YANKEE BUCCANEER (Frederick De Cordova, 1952) **1/2
The best, if not exactly satisfying, of the three seemingly randomly-chosen swashbucklers by Universal to accompany the above-average Errol Flynn vehicle AGAINST ALL FLAGS (1952) is this unusual entry in the genre.
As the title has it, lead Jeff Chandler is a U.S. naval officer who's ordered to carry out acts of piracy in order to ferret out the real culprits behind the sinking of American ships. These prove to be an amalgamation of Brazilian, Portuguese and Spanish villains (led by our own Joseph Calleia hiding under the respectable guise of the Spanish governor whose appearance is delayed until the last half-hour, but he's as reliable as ever and like the Robert Douglas of BUCCANEER'S GIRL , from the same director, is allowed to go free after being made to walk the plank).
Chandler himself who would later star in the similarly-titled genre outing YANKEE PASHA (1954) is a bit of a martinet, with rebellious first-mate and ex-student Scott Brady usually at the receiving end of his ire; when he tries to make up for his errors behind the captain's back, by fixing the ship's rudder at night, Brady's attacked by and kills a shark! This animosity eventually intensifies when the latter comes back from a scouting expedition to the Indies with a Portuguese countess (luscious Suzan Ball, whose debut this was: she had a brief and tragic career, dying in 1955 at the tender age of 21!).
Though the film is far from a classic, slightly marred by the resistible comic antics of George Mathews and featuring little traditional action before the last reel, it's a reasonably enjoyable romp nonetheless with a rousing score by an uncredited(!) Milton Rosen and shot in glorious Technicolor by the distinguished Russell Metty.
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