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The Woman's Angle (1952)

The head of a family of musicians has a complicated love life.

Director:

Leslie Arliss

Writers:

Leslie Arliss, Ruth Feiner (novel) | 1 more credit »
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Cast

Cast overview, first billed only:
Edward Underdown Edward Underdown ... Robert Mansell
Cathy O'Donnell ... Nina Van Rhyne
Lois Maxwell ... Enid Mansell
Claude Farell ... Delysia Veronova
Peter Reynolds ... Brian Mansell
Marjorie Fielding Marjorie Fielding ... Mrs. Mansell
Anthony Nicholls ... Dr. Nigel Jarvis
Isabel Dean ... Isobel Mansell
John Bentley John Bentley ... Renfro Mansell
Olaf Pooley Olaf Pooley ... Fudolf Mansell
Ernest Thesiger ... Judge
Eric Pohlmann ... Steffano
Joan Collins ... Marina
Dana Wynter ... Elaine (as Dagmar Wynter)
Geoffrey Toone ... Count Cambia
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Storyline

The head of a family of musicians has a complicated love life.

Plot Summary | Add Synopsis

Plot Keywords:

based on novel | See All (1) »


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Details

Country:

UK | USA

Language:

English

Release Date:

25 August 1954 (USA) See more »

Also Known As:

Alle kvinders type See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Soundtracks

The Mansell Concerto
Composed by Kenneth Leslie-Smith
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User Reviews

 
Timid Tepid Romance
29 November 2014 | by wilvramSee all my reviews

Director Leslie Arliss was no doubt aiming for a similar success to his wartime romantic hit, LOVE STORY. Both feature a memorable piece of specially written orchestral music, Hubert Bath's Cornish Rhapsody in the above and Kenneth Leslie Smith's Mansell Concerto here. It's just about the only worthwhile part of the movie.

Robert Mansell, the manager of his family of musicians, has an eye for the ladies and a complicated love life, as revealed in the divorce court. It's all presented in a terribly coy, buttoned-up British manner, Arliss's direction is flat and the dreadful script includes some atrocious dialogue. Edward Underdown, lacking entirely in star quality, comes across more like a contemporary suburban bank manager and the other members of the precious, squabbling, musical Mansell family soon become tiresome. Underdown/Mansell eventually finds his true love, played by American actress Cathy O'Donnell, and it seems a good match as she's just as dull as he is. Anton Diffring, usually in such sinister roles, is seen briefly as a knee-slapping Alpine dancer, looking as if he's thoroughly enjoying himself. Great as it is to see lots more British films of this vintage becoming available, in this case it is no surprise it languished unseen and forgotten for sixty years.


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