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The White Reindeer (1952)

Valkoinen peura (original title)
Not Rated | | Drama, Fantasy, Horror | 1957 (USA)
A newly wed woman goes to the local shaman to get some help with her lovelife, but instead gets turned into a white reindeer vampire.

Director:

Erik Blomberg
Reviews
Won 1 Golden Globe. Another 4 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
Mirjami Kuosmanen ... Pirita / Maarita - Pirita's mother
Kalervo Nissilä Kalervo Nissilä ... Aslak
Åke Lindman ... Forest Ranger
Jouni Tapiola Jouni Tapiola ... Reindeer shepherd
Arvo Lehesmaa Arvo Lehesmaa ... Tsalkku-Nilla, Shaman
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Storyline

A newly wed woman goes to the local shaman to get some help with her lovelife, but instead gets turned into a white reindeer vampire. Written by <miura@algonet.se>

Plot Summary | Add Synopsis

Genres:

Drama | Fantasy | Horror

Certificate:

Not Rated | See all certifications »
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Details

Country:

Finland

Language:

Finnish

Release Date:

1957 (USA) See more »

Also Known As:

The White Reindeer See more »

Filming Locations:

Inari, Finland See more »

Company Credits

Production Co:

Junior-Filmi See more »
Show more on IMDbPro »

Technical Specs

Runtime:

(original) | (restored)

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

At some point of production Aarne Tarkas was to direct the movie and Erik Blomberg was to be only a cinematographer, but for some reason Blomberg took also the directorial responsibilities. See more »

Connections

Featured in Scenes Under the Midnight Sun (1987) See more »

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User Reviews

 
Unique, moody, compelling.

The Finnish film 'White Reindeer' is marketed in the USA and Britain as a horror movie, but that's not precisely accurate. This is a stark, moody film but not a scary one. It purports to be an authentic Lapp folktale about a woman named Pirita who turns into a white reindeer in order to feed upon men.

This story has elements of both the vampire and the werewolf legend, as well as the succubus. Apart from reindeer being native to Lapland, I can't imagine why the reindeer was chosen as the species for this folktale's version of the shape-changer legend. Bats and wolves are predators, and therefore scary. The reindeer is a domesticated herbivore that serves humans ... not very spooky, is it? In one sequence, the were-reindeer woman sprouts fangs. Actual reindeer don't have fangs, so why should these be part of her transformation? Female reindeer have antlers, so why doesn't Pirita sprout antlers?

Speaking of superstitions and myths: early in this film, a black cat scurries across the path of an approaching sledge, but the director gives this so little emphasis that it appears to have no significance. In Cornwall, it's considered *good* luck to have a black cat cross one's path, and this same thing is considered *bad* luck in America. Do Lapps have any superstitions concerning black cats?

Mirjami Kuosmanen, the actress who plays the central role in this film, is quite pretty ... but her performance as a native of northern Lapland is weakened by the fact that she is clearly wearing makeup. Due to the low production budget, we never actually see Pirita changing into the reindeer ... but the director cleverly gets round this by having his leading lady lunge towards the camera, then cutting to a shot of a reindeer in the same position. Still, I was hoping we would see a shot of a woman's shadow changing shape ... or a series of human footprints in the snow abruptly becoming hoof-marks.

The Lapp landscape in this movie is starkly beautiful and awesome but never frightening. The photography is excellent. There are two impressive dissolve shots involving flames, and a splendid montage sequence. I was extremely impressed by a night sequence over a bonfire. During the Midnight Sun sequences, there are two shots featuring a weird colonnade of white pillars: these appear to be artefacts of the Lapp culture, but we never learn what they are. A sequence in which a carved vertrebra dances magically across a shaman's drum has an eerie pagan power that made me think of Nijinsky's staging of 'The Rites of Spring'.

My one complaint about this film -- a minor grievance -- is that we never learn the time period in which the main action occurs. These Laplanders possess milled coins, a rifle, and loomed curtains. One sequence takes place at a prayer service that is clearly Christian, featuring a minister in Geneva bands. Are we watching scenes in the twentieth century, or some earlier time? I'll rate this moody, compelling (but not frightening) film 8 out of 10. Oh, my deer! I Lapped this up!


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