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Umberto D. (1952)

Not Rated | | Drama | 7 November 1955 (USA)
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An elderly man and his dog struggle to survive on his government pension in Rome.

Director:

Vittorio De Sica

Writer:

Cesare Zavattini (story and screenplay)
Nominated for 1 Oscar. Another 3 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
Carlo Battisti ... Umberto Domenico Ferrari
Maria Pia Casilio Maria Pia Casilio ... Maria
Lina Gennari Lina Gennari ... Antonia Belloni
Ileana Simova Ileana Simova ... La donna nella camera di Umberto
Elena Rea Elena Rea ... La suora all' ospedale
Memmo Carotenuto Memmo Carotenuto ... Il degente all' ospedale
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Storyline

Umberto Ferrari, aged government-pensioner, attends a street demonstration held by his fellow pensioners. The police dispense the crowd and Umberto returns to his cheap furnished room which he shares with his dog Flick. Umberto's lone friend is Maria, servant of the boarding house. She is a simple girl who is pregnant by one of two soldiers and neither will admit to being the father. When Umberto's landlady Antonia demands the rent owed her and threatens eviction if she is not paid, Umberto tries desperately to raise the money by selling his books and watch. He is too proud to beg in the streets and can not get a loan from any of his acquaintances. He contracts a sore throat, is admitted to a hospital and this puts a delay on his financial difficulty. Discharged, he finds that his dog is gone and, following a frantic search, locates him in the city dog pound. His room has been taken over by the landlady and the now-homeless Unberto determines to find a place for his beloved dog, and ... Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Plot Keywords:

dog | rent | landlady | pension | old man | See All (154) »

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

Italy

Language:

Italian

Release Date:

7 November 1955 (USA) See more »

Also Known As:

Umberto D. See more »

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Box Office

Opening Weekend USA:

$1,664, 17 May 2002, Limited Release

Gross USA:

$74,308, 22 September 2002
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Goofs

In the kitchen of the landlady, when Umberto is chatting with the maid, she makes fire with a newspaper to get rid of the ants. After a few moments, we see that the newspaper is almost completely on fire, but in the next shot, less than half of the newspaper is on fire. See more »

Quotes

Maria, la servetta: Will we meet again, Mr. Umberto?
See more »

Connections

Featured in Fejezetek a film történetéböl: A neorealizmus (1990) See more »

Frequently Asked Questions

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User Reviews

 
Neorealist Classic (A story of an old man and his dog)
13 July 1999 | by Mauri-3See all my reviews

Umberto D was made towards the end of the Neo-realist period in Italian cinema, following on from Roma Citta Aperta (1945),Riso Amaro (Bitter Rice 1946),Paisa (Paisan 1946) and Ladri di Biciclette (The Bicycle Thieves 1948). Many critics see Umberto D has the finest example of the genre and Vittorio de Sica, the director, himself considered it to be his best work. Set in post-war Italy, it is the story of a retired public worker, trying to survive on a meagre state pension and being threatened with eviction from his landlady. His only friends are his small dog 'Flick' and his landlady's young maid Maria who has just discovered she is pregnant. Filled with despair over his situation he finally contemplates suicide.

The film sticks firmly to the neorealist conventions; the lead actor is a non professional actor (a college Professor who agreed to play the role), the use of studio sets is kept to minimum and the everyday lives of people are examined in minute detail. One could say that for long parts of the film nothing much happens, for instance when we follow Maria's early morning routine of grinding some coffee, but from these detailed vignettes, we learn a great deal of the thoughts feelings and emotions of the characters. These sequences are why it is a great film. The acting is wonderful, the impossible situations of the old man and of the unmarried but pregnant Maria are really brought to life for the audience. Although a tragic tale it does include many moments of humour and the ending although non-committal is uplifting. All in all a classic.


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