Two shoeshine boys in postwar Rome, Italy, save up to buy a horse, but their involvement as dupes in a burglary lands them in juvenile prison where the experience take a devastating toll on their friendship.
Vittorio De Sica
Umberto Ferrari, aged government-pensioner, attends a street demonstration held by his fellow pensioners. The police dispense the crowd and Umberto returns to his cheap furnished room which he shares with his dog Flick. Umberto's lone friend is Maria, servant of the boarding house. She is a simple girl who is pregnant by one of two soldiers and neither will admit to being the father. When Umberto's landlady Antonia demands the rent owed her and threatens eviction if she is not paid, Umberto tries desperately to raise the money by selling his books and watch. He is too proud to beg in the streets and can not get a loan from any of his acquaintances. He contracts a sore throat, is admitted to a hospital and this puts a delay on his financial difficulty. Discharged, he finds that his dog is gone and, following a frantic search, locates him in the city dog pound. His room has been taken over by the landlady and the now-homeless Unberto determines to find a place for his beloved dog, and ...Written by
Les Adams <firstname.lastname@example.org>
In the confrontation with his landlady after he returns with Flike, the position of the landlady changes between shots, so that a set of film posters appears behind her and her fiancé in the later shots. See more »
This is storytelling at its simplest and most beautiful. An old man - his sole companion, a dog - tries to survive on a fixed, tight income while being mistreated by his landlady.
DeSica brilliantly captures the despair of his protagonist and makes this film unforgettably powerful. This film deserves to be seen by everyone, not just those who enjoy foreign-language films.
This film is touching, memorable and manages to draw us into Umberto's life without ever becoming maudlin. The denouement is heartbreaking, but the film never lapses into sentimentality. "Umberto D" truly is one of the greatest films ever made.
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