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The Turning Point (1952)

Not Rated | | Crime, Drama, Film-Noir | 1 December 1952 (UK)
Jerry McKibbon is a tough, no nonsense reporter, mentoring special prosecutor John Conroy in routing out corrupt officials in the city, which may even include Conroy's own police detective father as a suspect.

Director:

William Dieterle

Writers:

Warren Duff (screenplay), Horace McCoy (based on a story by)
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Cast

Complete credited cast:
William Holden ... Jerry McKibbon
Edmond O'Brien ... John Conroy
Alexis Smith ... Amanda Waycross
Tom Tully ... Matt Conroy
Ed Begley ... Neil Eichelberger
Danny Dayton ... Roy Ackerman
Adele Longmire ... Carmelina LaRue
Ray Teal ... Clint, Police Captain
Ted de Corsia ... Harrigan
Don Porter ... Joe Silbray
Howard Freeman ... Fogel
Neville Brand ... Red
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Storyline

Special prosecutor John Conroy hopes to combat organized crime in his city, and appoints his cop father Matt as chief investigator. John doesn't understand why Matt is reluctant, but cynical reporter Jerry McKibbon thinks he knows: he's seen Matt with mob lieutenant Harrigan. Jerry's friendship for John is tested by the question of what to do about Matt, and by his attraction to John's girl Amanda. Meanwhile, the threatened racketeers adopt increasingly violent means of defense. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

Today's most sensational story of racket-busting !


Certificate:

Not Rated | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

1 December 1952 (UK) See more »

Also Known As:

This Is Dynamite! See more »

Company Credits

Production Co:

Paramount Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

William Holden and Neville Brand co-starred in this film. Holden and Brand would later reunite the following year in Billy Wilder's Stalag 17 with Holden in his Oscar winning performance as Sgt. J.J. Sefton and Brand as the short tempered yet dedicated fellow POW Duke who constantly needles Holden's Sefton character. See more »

Connections

Referenced in Biography: Carolyn Jones: Morticia and More (2002) See more »

Soundtracks

Prelude
(uncredited)
from Desert Fury (1947)
Music by Miklós Rózsa
See more »

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User Reviews

 
A Crime Syndicate With Deep Hooks
18 May 2010 | by bkoganbingSee all my reviews

The Kefauver crime hearings in the US Senate were the inspiration for several films of which The Turning Point is one. It's neither the best or the worst of that group.

Idealistic young attorney Edmond O'Brien is put in charge of a local Kefauver like group with prosecutorial powers to go after the syndicate that operates in this unnamed midwest American city. He's the son of veteran police detective Tom Tully and he asks his father to help him in his investigation. Also helping out are Alexis Smith functioning as the commission secretary and a cynical William Holden who is a long time friend of O'Brien's and newspaper reporter.

The syndicate is headed by Ed Begley, his number two is his enforcer Ted DeCorsia and he's got a hotheaded torpedo on the payroll in Danny Dayton. This crime syndicate has its hooks in pretty deep and watching the film you see why they are always one step ahead of the investigating commission.

The Turning Point fits right in with Bill Holden's post Sunset Boulevard tough and cynical image. That would reach its apogee when next year Holden would win an Oscar for the ultimate cynic in Stalag 17.

The rest of the cast performs well in roles that fit them admirably. Some you will remember are Neville Brand as an out of town torpedo who has few words, but an aura of menace, Carolyn Jones in her film debut as a Virginia Hill type witness who performs on stand the way Judy Holliday did in the House Un-American Activities Committee as the dumb moll. But the performance that really stands out is that of Adele Longmire who is the wife of another torpedo who was doublecrossed and killed after a hit he performed. She is really a standout in her scenes as a frightened witness trying to flee the mob.

The Turning Point is a good noir drama that holds up very well today and is even relevant with some of the big name prosecutions of more recent vintage.


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