A young priest, Father Chisholm is sent to China to establish a Catholic parish among the non-Christian Chinese. While his boyhood friend, also a priest, flourishes in his calling as a ... See full summary »
John M. Stahl
A young writer goes to Wiesbaden to write about gambling and gamblers, only to ultimately become a compulsive gambler himself. Losing all his wealth, as well as his moral fibre, he commits ... See full summary »
As writer Harry Street lays gravely wounded from an African hunting accident he feverishly reflects on what he perceives as his failures at love and writing. Through his delirium he recalls his one true love Cynthia Green who he lost by his obsession for roaming the world in search of stories for his novels. Though she is dead Cynthia continues to haunt Street's thoughts. In spite of one successful novel after another, Street feels he has compromised his talent to ensure the success of his books, making him a failure in his eyes. His neglected wife Helen tends to his wounds, listens to his ranting, endures his talk of lost loves, and tries to restore in him the will to fight his illness until help arrives. Her devotion to him makes him finally realize that he is not a failure. With his realization of a chance for love and happiness with Helen, he regains his will to live.Written by
E.W. DesMarais <email@example.com>
In the scene where Gregory Peck lifts up Ava Gardner, he threw out his knee and production had to close down while he recovered. Unfortunately, all the scenes of his lying down in his sickbed had been shot already. See more »
At the restaurant in Spain, prior to when Harry leaves Cynthia at the table, he puts his left hand on her left arm in the long shot. In the closer shot, he is seen to take his right hand off her left arm as he stands up. See more »
The older and wiser you get, the deeper this movie becomes.
I saw this as a kid and thought it was an OK adventure movie. But seeing it again in middle age just blew me away. It really is the story of a man's life: looking back on lost opportunities, failed loves, and (as it's so beautifully described in the script) "losing the scent" in your life's direction. Gardner is mesmerizing; Hayward is dynamic. The Bernard Herrman score hits the mark again. And the set decoration and cinematography are superlative examples of the studio system at its most artistic.
Of course, the fact that jazz immortal Benny Carter plays tenor sax during a Paris party scene adds an enormous amount of cool points to this movie for me!
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