Bewildered, Don Camillo learns that Peppone intends to stand for parliament. Determined to thwart his ambitions, the good priest, ignoring the recommendations of the Lord, decides to campaign against him.
Fifteen years after WWII, a group of ex-resistance fighters are brought together by Marie-Octobre, so that the former members of the network can finally relive one fateful night and find out who betrayed their murdered leader, Castille.
André Chatelin is a restaurant owner in Les Halles in Paris. One morning, a girl named Catherine asks to see him. She happens to be the daughter of his estranged wife, Gabrielle, that André... See full summary »
The marquis Galeazzo di Torre Alta is murdered by a mysterious killer who calls himself Diabolicus. His heirs are his three brothers and a sister, but all of them, with the exception of ... See full summary »
After his battles with the communist mayor Peppone, Don Camillo is sent in exile by his bishop in a remote village. Peppone thought he got the village in his hands. But when the municipality decide to build a dike against the periodic floods, the proprietor of the land refuses. War between the village clans is about to begin. Maybe only the strong hand of the priest could persuade the landlord to change his mind. Will Peppone passed over his pride and send for his enemy?Written by
Jean-Marie Berthiaume <email@example.com>
Italian censorship visa #14698 dating from 12 July 1953. See more »
Pay close attention to Don Camillo's hand with the glass of castor oil in the "Castor Oil" scene. He pours what is clearly a viscous, oily liquid into the glass. Before drinking however, his hand drops out of view and when he puts the glass to his mouth the liquid is all of a sudden clear water. Apparently drinking the castor oil for real was one step too far. See more »
Two versions of the film were shot: one in Italian, one in French. See more »
At home we never tire of this, perhaps the best of the Don Camillo series. The characters are so perfectly drawn and the black and white photography is much more dramatic than colour! It gives a very true-to-life picture of the social and political scene in post-war Italy, with just enough exaggeration to have the spectators rolling in the aisles.
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