A young orphan is sent to the village of Moonfleet, in Dorset, England to stay with his mother's former lover, who has the facade of a gentleman but is a leader of a gang of swashbuckling bootleggers. The duo went on a treasure hunt.
An altruistic department-store owner hires ex-convicts in order to give them a second chance at life. Unfortunately, one of the convicts he hires recruits two of his fellow ex-convicts in a plan to rob the store.
British hunter Thorndike vacationing in Bavaria has Hitler in his gun sight. He is captured, beaten, left for dead, and escapes back to London where he is hounded by German agents and aided by a young woman.
A western based on the story "Gunsight Whitman" by Silvia Richards. Vern Haskell, a nice rancher, seeks out to avenge his fiancé's death when she is killed during a robbery. His revenge leads him to Chuck-a-luck, Altar Keane's ranch set up to hide criminals, and he finds more than he bargains for.Written by
Andre'a M. Thompson <firstname.lastname@example.org>
Cinematographer Hal Mohr, who had previously photographed Marlene Dietrich in Destry Rides Again (1939), attempted to resign from the film due to Dietrich's insistence that he use lighting to make her look much younger than she was, and Mohr didn't think it was possible to make her look as young as she wanted him to. See more »
Ken Darby is given screen credit for the music and lyrics to "Gypsy Davey". In reality, "Gypsy Davey" is a folk song from the Scottish/Irish tradition that dates back to the 18th century. See more »
"Rancho Notorious" is a beautifully atmospheric and suspenseful film. Best known for his expressionist black & white suspense thrillers, director Fritz Lang brings the same qualities to this Technicolor western.
Although she must have been in her fifties when the film was made, Dietrich looks absolutely gorgeous. She also seems to be having lots of fun with the part, in a sense reprising her character from "Destry Rides Again." It's never explained how this woman with the strange German accent ended up in the Wild West, and we don't really care. By the way, Dietrich's performance in these two films was the basis for Madeline Kahn's great parody in "Blazing Saddles."
The one thing that really stands out in my mind about this film is how effectively the suspense builds. The tension leading up to Vern's discovery of the killer's identity is almost unbearable, and Lang makes us wait until the film's last five minutes for the inevitable score-settling gunfight.
In a period of film history when westerns were a dime a dozen, this one really stands out as a true classic.
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