1 user 2 critic

Nagarik (1952)

Ramu,eldest son a family of migrants to Calcutta,is a fresh graduate searching for a job like many others in post-Partition Calcutta.


Ritwik Ghatak


Ritwik Ghatak


Add Image Add an image

Do you have any images for this title?



Credited cast:
Ajit Banerjee Ajit Banerjee ... Sagar
Kali Bannerjee ... The Father
Gangapada Basu Gangapada Basu ... Land Lord
Satindra Bhattacharya Satindra Bhattacharya ... Ramu
Umanath Bhattacharya Umanath Bhattacharya
Parijat Bose Parijat Bose ... Violinist
Anil Chatterjee
Ketaki Dutta Ketaki Dutta ... Uma
Anil Ghosh Anil Ghosh
Mumtaz Ahmed Khan ... Sushanta
Keshto Mukherjee ... Jatin Babu
Shriman Pintoo Shriman Pintoo ... Pintoo
Prabhadevi Prabhadevi ... The Mother
Sova Sen Sova Sen ... Seeta
Geeta Shome Geeta Shome ... Shefali


Ramu,a fresh graduate is searching for a job like many others in post-Partition Kolkata.He lives in a lower-middle-class neighborhood with his mother, father,and sister. Ramu's sister,Seeta,is dressed up and paraded in front of prospective in-laws who humiliatingly examine her. The mother is painful of older times when the family used to live in a better house, but she bears her suffering quietly, for the most part. The father is myopic and full of cynicism for he does not share the idealistic aspirations of his two children that better times will come. The light of Ramu's life is his girlfriend Uma, who lives in an equally precarious situation with her sister Shephali and her mother. Jatin is an even poorer minor character living near Uma's dwelling who Ramu avoids because he cannot help the former out financially. To make ends meet, Ramu's mother takes in Sagar, a poor chemist, as a paying guest. Ramu does not get a job and cannot pay rent even with the money that he gets from Sagar... Written by Swarup Basak

Plot Summary | Add Synopsis

Plot Keywords:

son | See All (1) »




Did You Know?


Ritwik Ghatak's directorial debut. See more »

User Reviews

Existential realism
6 February 2007 | by david-bond-2See all my reviews

Nagarik is an extremely remarkable film especially given the year in which it is made. Had it been made at the end of the fifties, one would be tempted to see the influence of Camus' L'Etranger, of Osborne's Look Back in Anger or the plays of Harold Pinter but Nagarik pre-dates all of them. Verismo certainly but not quite in the manner of Satyajit Ray's later Pather Panchali (1955) because Nagarik is highly stylised and has very much the feel cinematographically of a film noir. Although nothing like it in theme, it has stylistic echoes of Kamal Amrohi's 1949 Hindi film Mahal(and uses narration in a way very typical of Amrohi). Few films have ever better depicted the despair of poverty, the debilitating pattern of hopes defeated, of humiliations endured. Yet for all that it remains an engaged film (there are echoes too of Eisenstein, of Gorky, of the Renoir of Les Bas-Fonds). It is little less than criminal that this film remains so little known.

7 of 8 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See one user review »

Frequently Asked Questions

This FAQ is empty. Add the first question.






Release Date:

20 September 1977 (India) See more »

Also Known As:

The Citizen See more »

Company Credits

Production Co:

Film Guild See more »
Show more on IMDbPro »

Technical Specs


Sound Mix:

See full technical specs »

Contribute to This Page

Recently Viewed