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Moulin Rouge (1952)

Not Rated | | Biography, Drama, Music | 10 April 1953 (Brazil)
Fictional account of French artist Henri de Toulouse-Lautrec.

Director:

John Huston

Writers:

Pierre La Mure (novel), Anthony Veiller (screenplay) | 1 more credit »
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Won 2 Oscars. Another 4 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
José Ferrer ... Henri de Toulouse-Lautrec / Comte Alphonse de Toulouse-Lautrec
Zsa Zsa Gabor ... Jane Avril
Suzanne Flon ... Myriamme Hayam
Claude Nollier Claude Nollier ... Countess Adèle de Toulouse-Lautrec
Katherine Kath Katherine Kath ... Louise Weber aka La Goulue
Muriel Smith ... Aicha / Singing Voice of Jane Avril
Mary Clare ... Madame Loubet
Walter Crisham ... Valentin le Desossé
Harold Kasket Harold Kasket ... Charles Zidler
Georges Lannes ... Sgt. Balthazar Patou
Lee Montague ... Maurice Joyant
Maureen Swanson ... Denise de Frontiac
Tutte Lemkow ... Aicha's Partner
Jill Bennett ... Sarah
Theodore Bikel ... King Milo IV of Serbia
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Storyline

A fictionalized account of the latter part of the life of French artist Henri de Toulouse Lautrec (1864-1901) is presented, he who is arguably most renowned professionally for immortalizing the characters of the Paris can-can dance hall, the Moulin Rouge, on canvas. This phase of his story begins in 1890. Born into aristocracy, Toulouse-Lautrec moves to Paris to pursue his art as he hangs out at the Moulin Rouge where he feels like he fits in being a misfit among other misfits. His misfit status is due to his diminutive physical stature, his legs which were broken and stopped growing following a childhood fall down some stairs. Because of the way he looks, he believes he is never destined to experience the true love of a woman. That lack of love in his life may change as he meets two women. The first is prostitute Marie Charlet, who he saves from imprisonment in a white knight act. Their relationship ends up being a turbulent one, the downs where each feels the need to hurt the other ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

Wild, wicked, wonderful Paris...all her loves, ladies and lusty legends! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

Much of the cinematography was intended to resemble the poster art of Henri de Toulouse Lautrec. Some of the costumes and character make-up also paid homage to his poster art. See more »

Goofs

When Henri Lautrec arrives at the gallery for the showing of his pictures, as he 'walks' in, his shadow on the ground clearly shows Jose Ferrer's legs tucked behind him as he walks (on his knees). See more »

Quotes

Jane Avril: I ask you, what is the world coming to when a girl won't even accept a horse?
See more »

Crazy Credits

The opening credits play over some of Marcel Vertès's pastiche Lautrec drawings; the photography credits are superimposed over a picture of a photographer, and the music credits over a man playing piano. See more »

Connections

Referenced in Casino Royale (1967) See more »

Soundtracks

It's April Again
(Moulin Rouge)
Music by Georges Auric
French lyrics by Jacques Larue
English lyrics by William Engvick
Performed by Zsa Zsa Gabor
See more »

User Reviews

The Anti-Luhrmann
2 July 2002 | by Bobs-9See all my reviews

I've always had a great affection for this film, although I realized long ago that it has its problems. Most casual viewers and amateur reviewers apparently like it, but it seems to rub some people decidedly the wrong way for various reasons.

Old-fashioned it certainly is, especially when compared to Baz Luhrmann's frenetic rock video-style musical. Though Luhrmann's film is in no way a remake of Houston's, you could legitimately compare the depictions of a night at the Moulin Rouge that occur early in both films. Luhrmann's objective seems to be completely different from Houston's. As flashy and exciting as his images are, the hyper-fast editing and use of pop music from the mid to late 20th century demonstrate absolutely no interest in evoking a sense of the time and place. What I like about Houston's depiction of the Moulin Rouge is the sense of atmosphere, the way a smoky haze can be seen hanging in the air, and the dances seem to more-or-less belong to the era. Interesting, too, is the way images from Toulouse-Lautrec's work are incorporated into this extended scene as he might have originally observed them. Those familiar with his paintings can recognize Moulin Rouge dancers like the tall, bizarre-looking Vincent DeSossier and "La Goulue," looking just as they do in the famous poster, and the sprightly black dancer "Chocolat." Patrons like the two women waltzing together serenely, and a pair of rather reserved Englishmen sitting at a table, are also familiar from the paintings.

I've always found Georges Auric's musical score rather effective. One of "Les Six," the group of avant-garde French composers who pushed the envelope of musical style in the early 20th century, he was a seasoned and sophisticated film composer who worked with Cocteau. Maybe the producers of "Moulin Rouge" thought an authentic French composer suitable for the project, and his score is sec (dry), not the least bit melodramatic, and lyrical in a way that seems to me distinctly French. This musical score may contribute to the reserved, stately, or detached quality that some reviewers see in the film.

For me that sec musical score seems appropriate to Jose Ferrer's portrayal of Toulouse-Lautrec. A pathetic figure, he does not beg us for pity, nor does the film itself turn maudlin or try to manipulate us to tears, which makes the final scene all the more moving. Some of the trick shots showing Ferrer kneeling with shoes stuck to his knees are a bit unfortunate. Too bad they couldn't come up with a better effect for this illusion. As for Zsa-Zsa… Well, nothing's perfect, I guess, but I don't think a touch of kitsch kills this film. Made in the early 1950s, it's not surprising that "Moulin Rouge" avoids the raunchier aspects of turn-of-the-century bohemian life, but I still think it evokes the era admirably. A classic? I don't know, but definitely a classy film that has its staunch admirers, including me.


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Details

Country:

UK

Language:

English | French

Release Date:

10 April 1953 (Brazil) See more »

Also Known As:

John Huston's Production Moulin Rouge See more »

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Box Office

Budget:

$1,500,000 (estimated)

Cumulative Worldwide Gross:

$3,188
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Color:

Color (Colour by) (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »

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