A singer marries a famous composer, and after a while she gets the itch to go back on the stage. However, her husband won't let her. When she hears that a popular French singer named "... See full summary »
Parysia is the rage of Paris. She has a daughter, secretly engaged to Andre, and the boy's aristocratic father objects to the alliance because of Margaret's mother being a revue artist. ... See full summary »
After World War II, a Highland Regiment's acting Commanding Officer, who rose from the ranks, is replaced by a peace-time Oxford-educated Commanding Officer, leading to a dramatic conflict between the two.
In 1930's Cuba, a bank clerk and an American mercenary assist a revolutionary group in a plan to kill the President but the Cuban Secret Police chief and the dictator's military complicate the plan's execution.
A fictionalized account of the latter part of the life of French artist Henri de Toulouse Lautrec (1864-1901) is presented, he who is arguably most renowned professionally for immortalizing the characters of the Paris can-can dance hall, the Moulin Rouge, on canvas. This phase of his story begins in 1890. Born into aristocracy, Toulouse-Lautrec moves to Paris to pursue his art as he hangs out at the Moulin Rouge where he feels like he fits in being a misfit among other misfits. His misfit status is due to his diminutive physical stature, his legs which were broken and stopped growing following a childhood fall down some stairs. Because of the way he looks, he believes he is never destined to experience the true love of a woman. That lack of love in his life may change as he meets two women. The first is prostitute Marie Charlet, who he saves from imprisonment in a white knight act. Their relationship ends up being a turbulent one, the downs where each feels the need to hurt the other ...Written by
A famous story from the filming of this movie: when Technicolor printed the dailies according to legendary cinematographer Oswald Morris' specifications, the lab management confronted Morris and director John Huston, claiming that the dailies were faulty. Huston and Morris screened them, and Huston allegedly turned to Morris and said, "What do you think, Os?" To which he replied, "Exactly as I wanted it." Huston replied, "Me too." They then turned to the Technicolor management with, "Gentlemen, thank you and f**k you!" After the movie was released, it became a personal favorite of Technicolor inventor Herbert T. Kalmus. See more »
When Henri falls down the stairs toward the end of the film, his legs suddenly appear regular sized. See more »
One day I'll go right down her throat, pull her heart out, and feed it to my cat!
If you can get at her. She has long arms, Aicha.
I'll crack them, I'll - ...
[Aicha kicks her]
You kick me!
*You* kicked *me*!
This calls for a drink. Cognac?
[she throws the drink in Aicha's face]
[...] See more »
The opening credits play over some of Marcel Vertès's pastiche Lautrec drawings; the photography credits are superimposed over a picture of a photographer, and the music credits over a man playing piano. See more »
Anyone who does not think that John Huston has a broad range as a film-maker needs to watch this and "The Dead." While he spent much of his career making gritty adventure-dramas like "The Maltese Falcon," "The Treasure of the Sierra Madre," and "The Man who Would be King," he also took the time to create well-crafted pieces like "Moulin Rouge."
Jose Ferrer has an astounding, almost unbelievable, performance as Henri de Toulouse-Lautrec, a painter from late-1800's Paris who was crippled in his childhood by a horse that ran over his legs. He now spends his days in the raunchy restaurant/dance hall populated by artists, dancers, drunks, and vagrants, sketching away at posters and portraits. Ferrer brings out Henri completely, depicting him as a man who tried to run from his problems using his art and his alcohol.
The film itself has a tenancy to be a little too flashy and gaudy at moments, but Huston manages to keep most of it grounded in the dramatics of the characters. Collete Marchand is also very noteworthy for her performance as a prostitute that befriends Henri. Marcel Vertes' production and costume design won well-deserved Oscars.
A genuinely moving film, a work of art in its own right.
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