A singer marries a famous composer, and after a while she gets the itch to go back on the stage. However, her husband won't let her. When she hears that a popular French singer named "... See full summary »
Parysia is the rage of Paris. She has a daughter, secretly engaged to Andre, and the boy's aristocratic father objects to the alliance because of Margaret's mother being a revue artist. ... See full summary »
The growing ambition of Julius Caesar is a source of major concern to his close friend Brutus. Cassius persuades him to participate in his plot to assassinate Caesar, but they have both sorely underestimated Mark Antony.
A fictionalized account of the latter part of the life of French artist Henri de Toulouse Lautrec (1864-1901) is presented, he who is arguably most renowned professionally for immortalizing the characters of the Paris can-can dance hall, the Moulin Rouge, on canvas. This phase of his story begins in 1890. Born into aristocracy, Toulouse-Lautrec moves to Paris to pursue his art as he hangs out at the Moulin Rouge where he feels like he fits in being a misfit among other misfits. His misfit status is due to his diminutive physical stature, his legs which were broken and stopped growing following a childhood fall down some stairs. Because of the way he looks, he believes he is never destined to experience the true love of a woman. That lack of love in his life may change as he meets two women. The first is prostitute Marie Charlet, who he saves from imprisonment in a white knight act. Their relationship ends up being a turbulent one, the downs where each feels the need to hurt the other ...Written by
Artist Marcel Vertès, whose hand is seen making "Lautrec" drawings, paid part of his tuition in art school by forging and selling "Lautrec" drawings. See more »
When Henri Lautrec arrives at the gallery for the showing of his pictures, as he 'walks' in, his shadow on the ground clearly shows Jose Ferrer's legs tucked behind him as he walks (on his knees). See more »
Comte Alphonse de Toulouse-Lautrec:
You should be horsewhipped for smearing the name of Toulouse-Lautrec over every kiosk in Paris. That revolting poster is a disgrace.
I am sorry you do not like my work, Father. But I shall continue to sign it as I please, for it is my name and it is my work.
Comte Alphonse de Toulouse-Lautrec:
Work? A pretext to hang about cheap dance halls and drink all night. You call that pornographic trash work?
Yes, I call it work. On this I am more of an authority than you, Father. You've never worked. Our kind never did. We are the grand ...
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Along with Gauguin, Rodin, Seurat, van Gogh, and several others, Henri de Toulouse-Lautrec is regarded as a major contributor to the French art movement of the late 19th century, known as post-impressionism. "Moulin Rouge" (1952) is the somewhat romanticized cinematic version of the life of Toulouse-Lautrec. As a biography, the film is "sketchy"; it focuses mostly on the artist late in his life. Though talented as an artist, an accident in his childhood left him with two stunted legs. At maturity, he was 4 1/2 feet tall. The result was a certain amount of social ostracism. Despite being from a family of wealth, he chose a bohemian life as an adult, and he spent much of his time in the seamy areas of Paris, where he would create sketches, drawings, and paintings in the cabarets and brothels.
As Toulouse-Lautrec, Jose Ferrer, together with the film's screenplay, portray a man who was extremely intelligent, lonely, emotionally isolated, and depressed. Much of the film centers on the Moulin Rouge cabaret, where he would make sketches of the patrons and dancers, and drink excessively.
Ferrer gives a highly credible performance. The film has excellent cinematography and production design, and interesting costumes. The overall tone of "Moulin Rouge" is one of sadness and melancholy, in which a talented but lonely artist eschews luxury, to devote his adult life to his passion for art.
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