A singer marries a famous composer, and after a while she gets the itch to go back on the stage. However, her husband won't let her. When she hears that a popular French singer named "... See full summary »
Parysia is the rage of Paris. She has a daughter, secretly engaged to Andre, and the boy's aristocratic father objects to the alliance because of Margaret's mother being a revue artist. ... See full summary »
1932. The tyrannical and despotic government of President Machado has headed Cuba for seven years. The latest measure of that tyranny is the outlawing of public gatherings of more than four... See full summary »
A fictionalized account of the latter part of the life of French artist Henri de Toulouse Lautrec (1864-1901) is presented, he who is arguably most renowned professionally for immortalizing the characters of the Paris can-can dance hall, the Moulin Rouge, on canvas. This phase of his story begins in 1890. Born into aristocracy, Toulouse-Lautrec moves to Paris to pursue his art as he hangs out at the Moulin Rouge where he feels like he fits in being a misfit among other misfits. His misfit status is due to his diminutive physical stature, his legs which were broken and stopped growing following a childhood fall down some stairs. Because of the way he looks, he believes he is never destined to experience the true love of a woman. That lack of love in his life may change as he meets two women. The first is prostitute Marie Charlet, who he saves from imprisonment in a white knight act. Their relationship ends up being a turbulent one, the downs where each feels the need to hurt the other ...Written by
When Henri Lautrec arrives at the gallery for the showing of his pictures, as he 'walks' in, his shadow on the ground clearly shows Jose Ferrer's legs tucked behind him as he walks (on his knees). See more »
Are you Monsieur Joyant?
You should be arrested. To hang such a thing on your wall! Look at this woman. She is undressing, with a man looking on! Disgusting!
Forgive me, madame, the lady is not undressing, she is dressing. The gentleman happens to be her husband. They are celebrating their twenty-seventh wedding anniversary. They are going to have dinner with their oldest son. He is a taxidermist. I am appalled that you should thus malign these good people. It goes to prove what I ...
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The opening credits play over some of Marcel Vertès's pastiche Lautrec drawings; the photography credits are superimposed over a picture of a photographer, and the music credits over a man playing piano. See more »
This is one of the most interesting biographies I've ever seen on film.
Until I acquired the DVD, I never fully realized how beautiful this film looked, either. I was stunned to see how spectacular the colors were and how much it helped capture the flavor of the dance hall and the cobblestone streets of France 100 years ago.....and, of course, Tolouse-Lautrec''s great artwork. This movie is a feast for the eyes.
The DVD also offers an opportunity to do something I suggest other fans of this movie try: use the English subtitles. This way, you don't have to strain to understand the French accents, notably Colette Marchand's, and it makes this intriguing story even better.
Story-wise, it's a bit of a soap opera but one I still found fascinating, thanks mainly to Lautrec's dialog. He had some really interesting things to say, mostly in a cynical way. That cynicism, unfortunately, caught up with him in the end. Jose Ferrer captured this tortured soul about as well as any actor could expect to do. I'm sorry he didn't win an Academy Award for this performance.
Younger viewers who only saw the more recent "Moulin Rouge!" missed the real story. That movie was a farce; this is the real thing.
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