After marrying an American lieutenant with whom he was assigned to work in post-war Germany, a French captain attempts to find a way to accompany her back to the States under the terms of the War Bride Act.
Showgirls Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the suspicious father of Lorelei's fiancé, as well as a rich, enamored old man and many other doting admirers.
Barnaby Fulton is a research chemist working on a fountain of youth pill for a chemical company. While trying a sample dose on himself, he accidentally gets a dose of a mixture added to the water cooler and believes his potion is what is working. The mixture temporarily causes him to feel and act like a teenager, including correcting his vision. When his wife gets a dose that is even larger, she regresses even further into her childhood. When an old boyfriend meets her in this state, he believes that her never wanting to see him again means a divorce and a chance for him.Written by
John Vogel <firstname.lastname@example.org>
Among the movie star photos Marilyn Monroe taped to her bedroom wall when she was a foster child were several of Cary Grant, with whom she was thrilled to be co-starring in this film, a break-through role in her then fast-rising movie career. See more »
When Edwina jumps over the fence, her pant legs are rolled up. When she walks towards the front door, the pant legs are unfolded. After she walks into the house, they're rolled up again. See more »
During the opening credits, an offscreen voice twice says, "Not yet, Cary" when Barnaby (Cary Grant) opens his front door to come outside. Each time, he closes the door again so the credits can continue. See more »
Thoroughly enjoyable comedy with Cary Grant as the absent-minded professor who's messing around looking for the fountain of youth. Ginger Rogers gets to dance a little without Fred Astaire plus demonstrate a wonderful comic style as she mixes it up with Marilyn Monroe. It's 1952 but you wouldn't know it (except for Marilyn's presence). Howard Hawks takes you back to the good old days when Hollywood demonstrated total mastery of time and space with the screwball comedy.
Along with monkeyshines and child actors, you really get a lot in this film: Grant and Rogers play off each other very nicely and the driving scene with Monroe and Grant is a classic. Adding to the hijinx is Charles Coburn, who always dominates the screen with his easy charm. I bet he loved chasing after Monroe with a spray bottle.
The movie holds up well over 50 years later which makes one wonder why Hollywood hasn't, cringe, chosen to ape the storyline for Jim Carrey or maybe Tom Hanks, who might be looking for a comic turn these days.
But then they remade Freaky Friday this summer, didn't they?
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