After marrying an American lieutenant with whom he was assigned to work in post-war Germany, a French captain attempts to find a way to accompany her back to the States under the terms of the War Bride Act.
Showgirls Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the suspicious father of Lorelei's fiancé, as well as a rich, enamored old man and many other doting admirers.
When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
Barnaby Fulton is a research chemist working on a fountain of youth pill for a chemical company. While trying a sample dose on himself, he accidentally gets a dose of a mixture added to the water cooler and believes his potion is what is working. The mixture temporarily causes him to feel and act like a teenager, including correcting his vision. When his wife gets a dose that is even larger, she regresses even further into her childhood. When an old boyfriend meets her in this state, he believes that her never wanting to see him again means a divorce and a chance for him.Written by
John Vogel <firstname.lastname@example.org>
The official premiere was on September 2, 1952 at the Stanley Theater in Atlantic City, New Jersey. Marilyn Monroe was on hand as she was already in town to be the Grand Marshal for the Labor Day parade festivities. See more »
After Hugh Marlowe has been "scalped", he is wearing a 'mohawk skull cap' which wrinkles up when he turns his head. See more »
During the opening credits, an offscreen voice twice says, "Not yet, Cary" when Barnaby (Cary Grant) opens his front door to come outside. Each time, he closes the door again so the credits can continue. See more »
Thoroughly enjoyable comedy with Cary Grant as the absent-minded professor who's messing around looking for the fountain of youth. Ginger Rogers gets to dance a little without Fred Astaire plus demonstrate a wonderful comic style as she mixes it up with Marilyn Monroe. It's 1952 but you wouldn't know it (except for Marilyn's presence). Howard Hawks takes you back to the good old days when Hollywood demonstrated total mastery of time and space with the screwball comedy.
Along with monkeyshines and child actors, you really get a lot in this film: Grant and Rogers play off each other very nicely and the driving scene with Monroe and Grant is a classic. Adding to the hijinx is Charles Coburn, who always dominates the screen with his easy charm. I bet he loved chasing after Monroe with a spray bottle.
The movie holds up well over 50 years later which makes one wonder why Hollywood hasn't, cringe, chosen to ape the storyline for Jim Carrey or maybe Tom Hanks, who might be looking for a comic turn these days.
But then they remade Freaky Friday this summer, didn't they?
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