An altruistic chemist invents a fabric which resists wear and stain as a boon to humanity, but both big business and labor realize it must be suppressed for economic reasons.
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Title: The Man in the White Suit (1951)
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Edit
Cast
| Cast overview, first billed only: | |||
| Alec Guinness | ... | Sidney Stratton | |
| Joan Greenwood | ... | Daphne Birnley | |
| Cecil Parker | ... | Alan Birnley | |
| Michael Gough | ... | Michael Corland | |
| Ernest Thesiger | ... | Sir John Kierlaw | |
| Howard Marion-Crawford | ... | Cranford (as Howard Marion Crawford) | |
| Henry Mollison | ... | Hoskins | |
 |
Vida Hope | ... | Bertha |
|
|
Patric Doonan | ... | Frank |
| Duncan Lamont | ... | Harry | |
| Harold Goodwin | ... | Wilkins | |
| Colin Gordon | ... | Hill | |
|
|
Joan Harben | ... | Miss Johnson |
|
|
Arthur Howard | ... | Roberts |
|
|
Roddy Hughes | ... | Green |
Edit
Plot Summary
|
Add Synopsis
See All (28) »
Storyline
Sidney Stratton, a humble inventor, develops a fabric which never gets dirty or wears out. This would seem to be a boon for mankind, but the established garment manufacturers don't see it that way; they try to suppress it. Written by John Oswalt <jao@jao.com>
Plot Keywords:
invention | capitalism | clothing industry | textile industry | capital vs labor |Taglines:
Guinness is Back...Working Wonders With Wile, Whimsey and Wit! See more »Parents Guide:
View content advisory »
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See more on IMDbPro »
See full technical specs »
Details
Country:
UKLanguage:
EnglishRelease Date:
April 1952 (USA) See more »Also Known As:
El hombre del traje blanco See more »Edit
Box Office
Opening Weekend USA:
$3,874, 18 November 2012, Limited ReleaseGross USA:
$8,265, 27 January 2013Company Credits
Show more on
IMDbPro »
Technical Specs
Runtime:
Sound Mix:
Mono (RCA Sound System) (Gaumont-Kalee)Color:
Black and WhiteAspect Ratio:
1.37 : 1
Edit
Alan Birnley: Now that calm and sanity have returned to the textile industry, I feel it my duty reveal something of the true story behind the recent crisis, a story which we were able, happily, to keep out of the newspapers at the time.
See more »
Did You Know?
Trivia
Alec Guinness performed the stunt of climbing down the side of the mansion. He was convinced by a technician, that the piano wire holding him up would not break, since only piano wire with kinks in it would be prone to breaking. As he got to about four feet from the ground, the wire did in fact break. See more »Goofs
When Hill disturbs Michael Corland at the table, he holds a piece of paper. The paper swaps hands between shots. See more »Quotes
[first lines]Alan Birnley: Now that calm and sanity have returned to the textile industry, I feel it my duty reveal something of the true story behind the recent crisis, a story which we were able, happily, to keep out of the newspapers at the time.
See more »
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For me this is Ealing Studio's most perfect film - as fresh and relevant half a century later as it was the day it was released.
As a satire on economic notions of 'growth' and the commercial need for in-built obsolescence, it could scarcely be more up-to-the-minute. And of what other film can it be said that the hero literally wears the plot?
Oddly, there are parallels with Jurassic Park, in which messing with the environment will literally turn round and bite you. But Spielberg shied away from the book's brilliant central conceit to tack on some nonsense about 'children'. Hmmm.
In The Man In The White Suit, Alec Guiness plays an idealistic young scientist who comes up with a cloth that never gets dirty and never wears out. Suddenly workers and capital at the northern English mill where he is working are united as never before in protection of their livelihoods.
Of course, being Ealing, it's a comedy, but it needn't have been. The complex interplay of vested (should that be suited?) interests plays out beautifully, as one by one all parties realize that 'progress' is a threat, and that disposability and waste are what keep the looms turning.
But, yes, this is a comedy - albeit a pointed one - and amid the political ironies are delicious performances, and some good old-fashioned knock-about laughs.
Nonetheless, it's the biting satire that endures - dazzling and white.