Esposito is a thief who cons tourists in Rome. A lengthy persecution by police Bottoni, who manages to catch it starts. In an oversight Esposito manages to flee again. Bottoni superiors inform him that if no catches him will lose his job.
Sidney Stratton, a humble inventor, develops a fabric which never gets dirty or wears out. This would seem to be a boon for mankind, but the established garment manufacturers don't see it that way; they try to suppress it.Written by
John Oswalt <firstname.lastname@example.org>
The sounds of Stratton's experiment (described on the record label as "guggle glub guggle") were set to music by Jack Parnell and released on Parlophone R 3435 as "The White Suit Samba" with words by T.E.B. Clarke. See more »
When Hill disturbs Michael Corland at the table, he holds a piece of paper. The paper swaps hands between shots. See more »
Now that calm and sanity have returned to the textile industry, I feel it my duty reveal something of the true story behind the recent crisis, a story which we were able, happily, to keep out of the newspapers at the time.
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"Man in the White Suit" is perhaps, along with "Kind Hearts and Coronets," the pinnacle of the Ealing film. It's a very sophisticated and subtle comedy/farce that takes a dig at a number of the cultural institutions that characterise northern England. It's not so much a satire directed at capitalism but an opprobrium of the suspicious relationship between capital and labour and the broader unworkable relationship of commercial achievement with scientific progress. The success of the film resides in the subtlety with which these issues are explored and the even-handedness by which they are dealt with. At a more basic level the film is an excellent example of a farce as the frustration, misinterpretation and exaggerated comedy are delivered with a breath-taking pace. Very well written, even better direction and uniformly spot-on performances make this one of the great British films of the 1950s.
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