6.3/10
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Man Bait (1952)

The Last Page (original title)
Not Rated | | Crime , Drama | 25 January 1952 (USA)
The married owner of a bookstore is attracted to his sexy blonde clerk. He finally gives in to temptation and makes a pass at her, but that only results in him getting enmeshed in blackmail and murder.

Director:

Terence Fisher

Writers:

Frederick Knott (screenplay), James Hadley Chase (original story)
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Cast

Complete credited cast:
George Brent ... John Harman
Marguerite Chapman ... Stella Tracy
Raymond Huntley ... Clive Oliver
Peter Reynolds ... Jeffrey Hart
Eleanor Summerfield Eleanor Summerfield ... Vi
Meredith Edwards ... Inspector Dale
Harry Fowler ... Joe
Diana Dors ... Ruby Bruce
Rest of cast listed alphabetically:
Sybil Saxon Sybil Saxon ... Bank Clerk (scenes deleted)
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Storyline

John Harman (George Brent), manager of an Oxford Street bookstore, reprimands an attractive young clerk, Ruby Bruce (Diana Dors), for being late to work. The same day Ruby catches Jeff Hart (Peter Reynolds) stealing a rare book, but instead of reporting him she accepts a date with him. That night, before her date, Ruby is working late with Harman, who, in a fleeting moment of intimacy, kisses her. He apologizes but later Jeff forces Ruby to blackmail Harman. When he refuses to pay off, Jeff tells Ruby to write a letter to Harman's wife, which causes her death from a heart attack. Dazed by the tragedy, Harman gives Ruby 400 pounds when she renews her demands. Jeff catches Ruby hiding part of the money, kills her and hides her body in a packing case. Harman discovers Ruby's body and realizing he will be suspect, flees in panic. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

Blonde Blackmail! See more »

Genres:

Crime | Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

UK

Language:

English

Release Date:

25 January 1952 (USA) See more »

Also Known As:

Man Bait See more »

Company Credits

Production Co:

Hammer Films,Lippert Films See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Diana Dors receives an "introducing" credit, yet she has appeared in over a dozen other features. See more »

Goofs

Where does Jeffery Hart get a key to open the case to try and steal a rare book? See more »

Connections

Referenced in Alma Corsária (1993) See more »

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User Reviews

 
J. A. Pearson's Bookstore: Home to blackmail, secret passions and murder.
17 May 2012 | by SpikeopathSee all my reviews

The Last Page (AKA: Man Bait) is directed by Terence Fisher and adapted to screenplay by Frederick Knott from James Hadley Chase's story. It stars George Brent, Marguerite Chapman, Raymond Huntley, Peter Reynolds and Diana Dors. Music is by Frank Spencer and cinematography by Walter J. Harvey.

John Harman (Brent) is a London bookshop manager who finds himself blackmailed by his busty young assistant, Ruby Bruce (Dors), and her new ex-convict beau Jeffrey Hart (Reynolds), when he foolishly steals in for a kiss during after hours stock taking.

Bookshop Noir.

British Hammer and American Exclusive teamed up to produce a number of low budget crime dramas in the early 1950s, often using American stars and directors blended in with British actors, they were produced in Britain in next to no time. The Last Page is a safe viewing for the undemanding film noir fan. Terence Fisher would become a legend amongst British horror fans (rightly so) for his work on Hammer's reinvention of the Universal Creature Features. Here he crafts a nifty atmospheric melodrama without fuss or filler, while just about managing to stop the flaws and daftness of plotting from sinking the picture.

Story has some interesting noirish characters and themes. The man who begins to pay for a moment of weakness, the young shapely gal in over her head-lured to the dark half by a well spoken criminal element, while some secret passions amongst the staff of this particular bookstore come to the fore once things inevitably go pear shaped. The setting is a doozy as well, this bookstore is perfectly antiquated, so much so you can smell the leather bound novels nestling on the shelves. Walter Harvey's (The Quatermass Experiment) photography ensures that shadows feature throughout, and there's the odd macabre touch that befits the writing of Frederick Knott (Dial M for Murder/Wait Until Dark).

Cast are professional to the last. Brent (The Spiral Staircase) and Huntley (I See a Dark Stranger/Night Train to Munich) are the epitome of gentlemen in a rut, stoic and stiff, grumpy yet gritty, but nicely portraying men we expect to appear in a bookstore noir. Chapman (Coroner Creek) has an abundance of hard looking sexuality and Reynolds has a spiv nastiness about him, very cold but charming. But it's Dors who holds all the aces, she would impress herself upon many a red blooded male during three decades of British film and TV. Here at aged 21, as Ruby, she's a curvy blonde babe with full lips, a gal who understandably turns the heads. The character is tardy as well, hardly a crime, but mostly in Dors' hands she's believable as a girl clearly out of her depth, she's not a femme fatale, she's a weak willed person hurtling towards film noir doom. It's here where this British B noir gets its worth.

It's not a great film by any stretch of the imagination, but it is a good one considering the modest budget afforded it. There's dumb decisions made by characters, holes of plotting and the ending fails to seal the deal after the hard noirish mood eked out by Fisher, Harvey and Dors. However, as film noir time fillers go, it's well worth checking out. 6.5/10


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