Two volunteer firemen rescue a gold prospector from suicide. However, once they discover that the police mistakenly want them for murder, they travel with the prospector to Alaska to help ...
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Harry and Willie buy the Edison Movie Studio in the year 1912 from Joseph Gorman, a confidence man. They follow Gorman to Hollywood where, as stunt men, they find him directing movies as Sergei Trumanoff and stealing the studio payroll.
Two volunteer firemen rescue a gold prospector from suicide. However, once they discover that the police mistakenly want them for murder, they travel with the prospector to Alaska to help chase his girl. Once they arrive, the men discover that most of the town wants the prospector dead. It's up to Abbot and Costello to keep him alive, or else San Francisco is ready to hang them for the murder.Written by
In the scene where Bud and Lou are ice fishing, an off-camera seal barks and Costello ad libs: "Somebody got a car up here, driving?" But the film is set in the 1890s, before the automotive era. See more »
Nugget Joe, you've got everything in the world to live for. The richest gold mine in Alaska. Why with that kind of money, you can get any kind of girl you want. Why worry about that one girl?
Nugget Joe McDermott:
I don't want any girl. I want Rosette.
I want to go to sleep! I'm tired.
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Abbott: "Miss McGillicuddy, you look charming today. Did you do something to your hair?"
Costello: "Yeah, she put it on her head"!
"Lost in Alaska" does have some inspired moments, and most of them are in the first half, like the "sleeping in 2-hour shifts" routine, or Costello's response to a sign that says "Use the axe only in case of fire" ("Got a match?"). But when A&C actually do get Lost in Alaska, the comedy gets largely reduced to elementary, childish slapstick (Costello falling down on the snow a lot, etc). I did laugh a couple of times, but overall the film is pretty tiresome, despite its short running time. (**)
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