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The Importance of Being Earnest (1952)

Not Rated | | Comedy, Drama | 15 August 1952 (Ireland)
When Algernon discovers that his friend, Ernest, has created a fictional brother for whenever he needs a reason to escape dull country life, Algernon poses as the brother, resulting in ever increasing confusion.

Director:

Anthony Asquith
Reviews
Nominated for 1 BAFTA Film Award. Another 1 win & 1 nomination. See more awards »

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Cast

Complete credited cast:
Michael Redgrave ... Ernest Worthing
Richard Wattis ... Seton
Michael Denison ... Algernon Moncrieff
Walter Hudd ... Lane
Edith Evans ... Lady Bracknell
Joan Greenwood ... Gwendolen Fairfax (Her Daughter)
Dorothy Tutin ... Cecily Cardew
Margaret Rutherford ... Miss Prism
Miles Malleson ... Canon Chasuble
Aubrey Mather ... Merriman
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Storyline

Jack Worthing and Algernon Moncrieff are two men that are both pretending to be someone they are not. Written by Simone Denvile

Plot Summary | Add Synopsis

Taglines:

They don't come any wilder than Oscar Wilde's classic comedy of manners, morals and morality!

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

UK

Language:

English

Release Date:

15 August 1952 (Ireland) See more »

Also Known As:

Ernst sein ist alles See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Color:

Color (Colour by) (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

"The Importance of Being Earnest" opened at the Lyceum Theater in New York City on April 22, 1895 and ran for twelve performances, and has been revived in New York City eight times since, as of 2008. See more »

Quotes

Miss Prism: The good ended happily, and the bad unhappily. That is what fiction means.
See more »

Connections

Featured in A Bit of Scarlet (1997) See more »

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User Reviews

 
The importance of being Oscar
20 April 2006 | by jotix100See all my reviews

Oscar Wilde's language is exquisitely spoken by the English cast that made, what should be considered, the definitive version of the play. The most important thing is the poetry all these actors were able to bring to the film, which reflects a bygone era; it is music to one's ears.

Anthony Asquith directed and adapted the play in ways that it never feels it's filmed theater. The director achieves a coup in casting Dame Edith Evans as Lady Bracknell, in one of her best appearances on the screen. Her Augusta is just what one expects a Victorian English lady to be like. Although Ms. Evans is not on screen all the time, she completely dominates the action. Even if one knows Ms. Evans is giving an exaggerated portrait of a society lady, she is delightful to watch as one stays riveted to her movements, facial expressions in making this woman come alive for us.

Michael Redgrave and Michael Denison, two dashing young actors, at the time, are a joy to see. The fastidious Jack, and his friend, Algenon, have excellent opportunities in which to shine. The same goes for the two female leads, Joan Greenwood and Dorothy Tutin, are perfectly cast as Gwendoline and Cecily, the love interests of Jack and Algenon. The redoubtable Margaret Rutherford is seen as Miss Prism, who is the key to solving the mystery in the plot.

"The Importance of Being Earnest" is a classic that was made at the legendary Pinewood studios and it shows the British cinema at its best.


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