When Algernon discovers that his friend, Ernest, has created a fictional brother for whenever he needs a reason to escape dull country life, Algernon poses as the brother, resulting in ever increasing confusion.
Henry Hobson is a successful bootmaker, a widower and a tyrannical father of three daughters. The girls each want to leave their father by getting married, but Henry refuses because marriage traditions require him to pay out settlements.
Brenda de Banzie
Algy and Jack discover that they have both been "Bunberrying", that is, assuming different identities in order to enjoy themselves in a guilt-free manner. Jack's pretending to be his ... See full summary »
Olivia, an English teenager, arrives at a finishing school in France. The majority of the pupils in the school are divided into two camps: those that are devoted to the headmistress, Mlle ... See full summary »
Simon Sparrow (Sir Dirk Bogarde) is a newly arrived medical student at St. Swithin's hospital in London, England. Falling in with three longer-serving hopefuls, he is soon immersed in the ... See full summary »
John Gielgud was offered the role of Jack Worthing in this film. Even though it was one of his signature roles on stage, he turned it down because he disliked filming. See more »
Oh! I am not really wicked at all, cousin Cecily. You mustn't think that I am wicked.
If you are not, then you have certainly have been deceiving us all in a very inexcusable manner. I hope you have not been leading a double life, pretending to be wicked and being really good all the time. That would be hypocrisy.
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I haven't yet seen the 2002 theatrical film version of Wilde's classic, perhaps because I can't see how anyone, not even Judi Dench, could improve upon Dame Edith Evans's immortal portrayal of that deathless battle-axe, Lady Bracknell. And then there's Margaret Rutherford and Miles Malleson wittily playing characters that fitted them to a "T." Not to mention the unctuously delicious Joan Greenwood, whose line readings caress one's ears like the aural equivalent of a framboise liqueur. Dorothy Tutin was a perfect wise-for-her-young-years ingenue. But the men, in my view, were merely serviceable, with Michael Denison, especially, somewhat of an annoyance. The Technicolor mounting, deliberately stagey, was eye candy of the best sort, like an extravagantly decorated old-fashioned box containing the sort of confections one would savor to the very last morsel. Great fun!
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