In Medieval Japan, an elderly warlord retires, handing over his empire to his three sons. However, he vastly underestimates how the new-found power will corrupt them and cause them to turn on each other...and him.
Kanji Watanabe is a civil servant. He has worked in the same department for 30 years. His life is pretty boring and monotonous, though he once used to have passion and drive. Then one day he discovers that he has stomach cancer and has less than a year to live. After the initial depression he sets about living for the first time in over 20 years. Then he realises that his limited time left is not just for living life to the full but to leave something meaningful behind...Written by
Hideo Oguni, one of the three main writers, originally envisioned Takashi Shimura's character as being a yakuza (gangster) as opposed to a government bureaucrat. See more »
In the last scene with Toyo (in the restaurant with the birthday party going on), the position of the bell on the mechanical bunny changes, even though neither actor has touched the bunny. See more »
Ecce homo. "Behold the man." This man bears a cross called cancer. He's Christ. If you were diagnosed with cancer, you'd start dying right away. But not this fellow. That's when he started living.
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Ikiru is a film about life. Constantly complex and thought-provoking, although simple at the same time; it tells a story about life's limits, how we perceive life and the fact that life is short and not to be wasted. Our hero is Kanji Watanabe, the most unlikely 'hero' of all time. He works in a dreary city office, where nothing happens and it's all very meaningless. Watanabe is particularly boring, which has lead to him being nicknamed 'The Mummy' by a fellow worker. He later learns that he is dying from stomach cancer and that he only has six months to live. But Watanabe has been dead for thirty years, and now that he's learned that his life has a limit; it's time for Watanabe to escape his dreary life and finally start living. What follows is probably the most thoughtful analysis of life ever filmed.
Ikiru marks a departure for Akira Kurosawa, a man better known for his samurai films, but it's a welcome departure in my opinion. Kurosawa constantly refers to Watanabe as 'our hero' throughout the film, and at first this struck me as rather odd because, as I've mentioned, he's probably the least likely hero that Kurosawa has ever directed; but that's just it! This man is not a superhero samurai, but rather an ordinary guy that decides he doesn't want to be useless anymore. That's why he's 'our hero'. Kurosawa makes us feel for the character every moment he's on screen - we're sorry that he's wasted his life, and we're sorry that his wasted life is about to be cruelly cut short. However, despite the bleak and miserable facade that this movie gives out, there is a distinct beauty about it that shines through. The beauty emits from the way that Watanabe tries to redeem his life; because we feel for him and are with him every step of the way, it's easy to see why Watanabe acts in the way he does. Ikiru is a psychologically beautiful film.
It could be said that the fantastic first hour and a half is let down by a more politically based final third - and this is true. The movie needs it's final third in order to finish telling the story, but it really doesn't work as well as the earlier parts did. However, Kurosawa still delights us with some brilliant imagery and the shot of Watanabe on a swing is the most poetically brilliant thing that Kurosawa ever filmed. Together with the music and the rest of the film that you've seen so far; that picture that Kurosawa gives us is as moving as it is brilliant.
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