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High Noon (1952)

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A town Marshal, despite the disagreements of his newlywed bride and the townspeople around him, must face a gang of deadly killers alone at high noon when the gang leader, an outlaw he sent up years ago, arrives on the noon train.

Director:

Fred Zinnemann

Writers:

Carl Foreman (screenplay by), John W. Cunningham (based on the magazine story "The Tin Star" by)
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4,206 ( 2,122)
Won 4 Oscars. Another 13 wins & 10 nominations. See more awards »

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Cast

Complete credited cast:
Gary Cooper ... Marshal Will Kane
Thomas Mitchell ... Mayor Jonas Henderson
Lloyd Bridges ... Deputy Marshal Harvey Pell
Katy Jurado ... Helen Ramírez
Grace Kelly ... Amy Fowler Kane
Otto Kruger ... Judge Percy Mettrick
Lon Chaney Jr. ... Martin Howe (as Lon Chaney)
Harry Morgan ... Sam Fuller (as Henry Morgan)
Ian MacDonald ... Frank Miller
Eve McVeagh Eve McVeagh ... Mildred Fuller
Morgan Farley ... Dr. Mahin - Minister
Harry Shannon ... Cooper
Lee Van Cleef ... Jack Colby
Robert J. Wilke ... Jim Pierce (as Robert Wilke)
Sheb Wooley ... Ben Miller
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Storyline

On the day he gets married and hangs up his badge, Marshal Will Kane is told that a man he sent to prison years before, Frank Miller, is returning on the noon train to exact his revenge. Having initially decided to leave with his new spouse, Will decides he must go back and face Miller. However, when he seeks the help of the townspeople he has protected for so long, they turn their backs on him. It seems Kane may have to face Miller alone, as well as the rest of Miller's gang, who are waiting for him at the station. Written by Man_With_No_Name_126

Plot Summary | Plot Synopsis

Taglines:

The story of a man who was too proud to run. See more »


Motion Picture Rating (MPAA)

Rated PG for some western violence, and smoking | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

30 July 1952 (USA) See more »

Also Known As:

High Noon See more »

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Box Office

Budget:

$730,000 (estimated)

Gross USA:

$9,450,000, 31 December 1952

Cumulative Worldwide Gross:

$18,000,000, 31 December 1952
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Stanley Kramer and Fred Zinnemann stated that they originally intended to photograph the film in color, but after some color sequences where shot, they switched to black and white for artistic reasons. See more »

Goofs

Just after Kane leaves the barber shop and walks up the street, sunlight can briefly be seen reflecting off cars passing by the set in the distant background. It is reportedly more noticeable in the theatrical release than on TV screens. See more »

Quotes

Dr. Mahin, Minister: The commandments say 'Thou shalt not kill,' but we hire men to go out and do it for us. The right and the wrong seem pretty clear here. But if you're asking me to tell my people to go out and kill and maybe get themselves killed, I'm sorry. I don't know what to say. I'm sorry.
See more »

Connections

Referenced in Outland (1981) See more »

Soundtracks

High Noon
Ballad
by Dimitri Tiomkin
Lyrics by Ned Washington
Sung by Tex Ritter
Played often in the score
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Frequently Asked Questions

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User Reviews

The definitive western movie
31 January 1999 | by Bill-308See all my reviews

This is the definitive Western. There are other excellent Westerns of course ("The Unforgiven," "Pat Garrett and Billy the Kid," "The Searchers," "My Darling Clementine," and "The Man Who Shot Liberty Valance" come immediately to mind), but none tops this one. Even though the difference in age between Gary Cooper and Grace Kelley makes the thought of their marriage seem a little kinky, it's easy to buy into the story. Katy Jurado is sexy, Lloyd Bridges is callow, and the townspeople mean well, but when push comes to shove, they reveal their cowardice. (If you remember the scene in "Blazing Saddles" in which Van Johnson says, "Howard Johnson is right," you'll almost certainly laugh at an inappropriate moment in "High Noon." ) "High Noon" is a textbook example of the storyteller's art. The drama begins with the opening credits and doesn't let up until everyone's true character has been laid bare. This one is suspenseful and thrilling, and I find more to admire with every viewing.


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