The opening scene of the movie describes it best: "Once upon a time there lived in Denmark a great storyteller named Hans Christian Andersen. This is not the story of his life, but a fairy tale about the great spinner of fairy tales."
A fictionalized account of the young life of Hans Christian Andersen, a young man with a penchant for storytelling but struggles to find his place in the world and gain the affection of the... See full summary »
A completely fabricated biography of the famous Danish fairytale writer Hans Christian Andersen featuring several of his stories and a ballet performance of "The Little Mermaid".Written by
Col Needham <email@example.com>
Throughout the film, the Danish capital is pronounced "Copenhawgen." This is the German pronunciation and is disliked by many Danes, whose country was occupied during World War 2. Danes prefer that English speakers say "Copenhaygen." See more »
When Hans Christien Andersen and Peter cross the Great Belt, Peter spots Copenhagen on the other side of the belt, but Copenhagen is located on the other side of Zealand and cannot be seen from a boat on the Great Belt. See more »
You'd be surprised how many kings are only a queen with a mustache.
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Opening credits: "Once upon a time there lived in Denmark a great storyteller named Hans Christian Andersen. This is not the story of his life, but a fairy tale about this great spinner of fairy tales." See more »
Goldwyn's garish Technicolor tribute to the Danish storyteller features a remarkably subdued performance from Danny Kaye and a superior score from Frank Loesser.
This rather sophisticated musical appears to have been inspired by the visionary and dreamy Powell/Pressburger classic THE RED SHOES. It's as much a stylized romance as it is a kiddie picture, with Kaye refraining from indulging in the manic twittering he's generally known for, and becoming a rather poignant protagonist. That's not to say the whole family can't get something out of it, but the script makes no small point of creating sexual tension within it's romantic framework. Goldwyn wanted to make this picture for years, but couldn't find a script to satisfy him. Moss Hart finally came up with this one, and it's a surprisingly multi-dimensional one. Frank Loesser's music and lyrics are wonderful.
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